From prehistoric cave paintings to performance art, DK's The Art Book provides an easy-to-follow and fascinating introduction to this compelling and important subject.
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This book explores history's most influential painters, sculptors and artists' most celebrated artworks and provides information surrounding the pieces and insightful quotes about them. It also has profiles of the most important artists from all over the world and explains their impact on impressionism, symbolism and cubism.
It will help you understand the ideas that inspired Rembrandt and Picasso's masterpieces and covers everything from painting and drawing to printing, sculpture and conceptual art.
From the author of The Secret Lives of Colour, this fascinating book explores the history of civilization and human creativity: from the mummies of Ancient Egypt and the silken dragon robes of Imperial China to the woollen sails of Viking longboats and the Indian calicoes.
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Kassia St Clair studied the history of women's dress and masquerade during the 18th century and uses her knowledge and wit to argue that fabrics have changed and shaped the world we live in today.
Packed with compelling stories from around the world and spanning thousands of years of human ingenuity, this book is sure to change the way you see the world.
Showcasing 80 of the most famous paintings and sculptures of all time, What Makes Great Art is a handy pocket guide that provides would-be art aficionados with a guide to why these pieces of art have inspired so much acclaim and respect.
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Ideal for anyone who loves art, Andy Pankhurst and Lucinda Hawksley look at projects from many different eras and of various styles - from Expression and Beauty to Realism and Form. There are also chapters based on Symbolism, Distortion and Erotic artwork.
Whether the paintings owe their greatness to the composition or colour, provide an insight into a human subject or convey a message in an effective manner, this book covers it. Among the famous pieces covered are Leonardo Da Vinci's Mona Lisa, Claude Monet's Impression: Sunrise and Jackson Pollock's Mural.
Please note that What Makes Great Art contains a chapter dedicated to Erotic art.
Although this book features Vermeer's Girl with a Pearl Earring on its cover, there is no information inside about this painting. There are, however, intricate details about 80 of the most iconic pieces of artwork ever created.
Art Deco is one of the most iconic and impressive design styles of all time and this book provides a celebration of the glamour of the Jazz Age.
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Classic yet contemporary, Art Deco remains a popular theme today and this stylish book looks at how designers and craftsmen used natural and man-made materials in innovative ways to produce the elegant pieces that defined the 1920s and 1930s.
Judith Miller, an antiques expert, explores the key makers and pieces from the Art Deco era and explains what you should be looking for as a collector. From furniture to sculptures and prints to rugs, it's illustrated with over 700 stunning photographs.
How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "Seeing comes before words. The child looks and recognizes before it can speak." "But, there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled." John Berger's "Ways of Seeing" is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) "Sunday Times" critic commented: 'This is an eye-opener in more ways than one: by concentrating on how we look at paintings ...he will almost certainly change the way you look at pictures.' By now he has.
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What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cezanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your five year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting.
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Here is a dazzling celebration of one of the most admired illustrators working today, with a specially produced print exclusive to this limited, slipcased edition. Noma Bar's innovative, playful style has made him one of the most sought-after illustrators working today, with a broad range of commissions from magazines and newspapers - including Empire, the New York Times, Wired, the Guardian and Time Out - and numerous private and advertising clients. His use of negative space and minimalist forms creates images with multiple readings that can delight and shock in equal measure. Each of Bar's illustrations tells a story that is hidden in the details, with the message revealing itself as you look more closely. Here, Noma Bar has handpicked his most iconic illustrations and favourite works, each one displaying the distinctive style that has established his reputation. The works are organized into thematic chapters such as 'Pretty Ugly' (portraits), 'In Out' (sex), 'Life Death' (conflict), and 'Less More' (daily life). Alongside the images, Bar reveals his working methods and the stories behind his often idiosyncratic inspiration for different illustrations, and reflects on how his life experiences have shaped him as an artist. As a collection, the whole is much greater than the sum of these many, many-layered parts. This limited, slipcased edition is destined to become a must-have reference source for all professionals in the worlds of graphic design and illustration, while also being an enthralling treasury for any follower of visual and popular culture.
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Thirteen years after her first Rizzoli monograph, British artist Jenny Saville releases this much-anticipated volume--her most comprehensive to date--including many never-before-published paintings. One of the most renowned living figurative painters of our time, Saville has set auction records and her highly sensual canvases invite us to consider the female form in all its glory. Great artists are of their moment, but push boundaries to revitalize our world. The British artist Jenny Saville is best known for painting monumental close-ups of large nude women exposing things that are usually left unshown: flab, fat, bulge. Today, when the body has never mattered more or counted less, Saville is undoubtedly the painter for our times. Saville has specialized in subjects on the margins of society: the obese, the disfigured, and transsexuals; yet under her fluctuating light and painstaking hues and layers, her subjects transcend their strangeness to take on a universal quality. Among artists of her generation, Saville is unusual in her devotion to figurative painting. This much-anticipated volume unites new work with almost all of Saville's paintings and drawings to date, many of them unpublished works. Published in association with Gagosian Gallery, the book also features a complete and illustrated chronology of the artist's career. A conversation with acclaimed American photographer Sally Mann, and essays by art critic Mark Stevens and Gagosian Director, London Richard Calvocoressi complete the volume.
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One big slice of cheesecake. Pin-up travels the long road from barracks wall to high art. In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2000 in 1996 are going for $ 200,000 and more today. Pin-up, defined as drawings or paintings of pretty girls that stop short of frank nudity, was produced between 1920 and 1970, and much of it was discarded by publishers and calendar companies after printing. Today it's huge, and ripe for an equally huge and truly comprehensive collector's edition. Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The reproduction quality of the paintings, pastels, and preparatory sketches - largely sourced from the original art - invites the viewer to trace the brush strokes in these full-page delights. Each chapter contains exquisite period calendars, vintage prints, and original model photos as well, documenting the artists' creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world's largest archive of vintage pin-up calendars. Following the chapters on the 15 featured artists, the book concludes with an "Encyclopedia of Pin-up," featuring thumbnail bios and representative art of 72 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.
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His works have prompted a New York Times bestseller; a film starring Scarlett Johansson and Colin Firth: record visitor numbers at art institutions from Amsterdam to Washington; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic, wide-eyed, and enchanting Girl with a Pearl Earring, also known as the "Dutch Mona Lisa". In his lifetime, however, Johannes Vermeer's fame barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid 19th century, that Vermeer returned to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, spotted a genius, and never looked back. This XL edition brings together the complete catalog of Vermeer's work, gathering the calm yet compelling scenes treasured in galleries across Europe and the United States into one edition of utmost reproduction quality. From letter writing to music playing to preparations in the kitchen, it allows Vermeer's restrained, but richly evocative, repertoire of domestic actions to unfold in generous format, including three fold-out spreads. Many details, meanwhile, emphasize the artist's outstanding ability both to bear witness to the trends and trimmings of the Dutch Golden Age and to encapsulate an entire story in just one transient gesture, expression, or look.
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Dealing with the power of artistic gesture, each work, presented here in stunning colour, features a blue glass gazing ball that sits on a painted aluminum shelf attached to the front of the painting that reflects both the painting and the viewer. Through the simple act of placing a gazing ball in front of the images, painting and sculpture are reunited for maximum sensory perception.
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Between the fourteenth and the eighteenth centuries, the art of fresco painting was to be found across all regions of Italy. This volume aims to illustrate the most significant periods still visible today in churches, convents, and in the palaces of the Italian courts, as well as in the villas of the enlightened aristocracy. Starting with Giotto, the great pictorial cycles from across the centuries the fourteenth century, the golden centuries of the Renaissance, the Baroque, and the Venetian eighteenth century are all presented in stunning reproductions. The high-quality images are displayed full-page, along with several close-ups that allow the reader to observe details of the artwork in a way that, in reality, would be close to impossible, as many frescoes are painted on inaccessible walls, vaults, and domes. An introduction written by a well-known historian of Italian art narrates how the art of fresco painting originated and developed in Italy. Each period is also briefly introduced by a historical-artistic fact sheet.
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Louise Bourgeois was a prolific artist known for her highly personal body of work consisting of sculptures, installations, drawing and prints that deal with themes of memory, trauma, fear and hidden emotion. Bourgeois first received international acclaim in the 1990s, when the artist was in her eighties, for her ambitious series of Cells: small room-like sculptures containing arrangements of symbolic objects intended to elicit emotional and psychological responses in the viewer. Here, for the first time, her vast oeuvre is interwoven with a fascinating discussion of the full range of ideas, emotions and experiences that inspired the creation of her work. Renowned critic and curator Robert Storr, acknowledged as Bourgeois' leading interpreter, presents a chronological account of the artist's career, weaving in thematic discussions accompanied by sequential 'portfolios' of the artist's work. An introduction outlining the artist's career is followed by chapters examining her childhood; Bourgeois' education, early career and emigration to the US; her mid-career 'disappearance' and her gradual return to prominence during the 1980s; and her late career as high-profile celebrity artist, exhibiting across the world until her death in 2011. The final chapter examines Bourgeois' profound and ongoing artistic legacy.
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Phaidon's classic illustrated monograph on Van Gogh, updated with an elegantly crafted design for today's burgeoning art aficionados. Reviving a much beloved group of artist monographs from the Phaidon archive, the new Phaidon Classics bring to life the fine craftsmanship and design of Phaidon books of the 1930s, 40s and 50s. Updated with a contemporary "classic" design, full color images and new introductions by leading specialists on the work of each artist, these elegantly crafted volumes revive the fine bookmaking of the first half of the twentieth century, making Phaidon Classics instant collectors' items. A splendid presentation of the work of Van Gogh (1853-1890), one of the best-selling artists in the world, much loved for the rough beauty, emotional honesty and bold color of his paintings. The book features Van Gogh's most famous and familiar works - Sunflowers, Starry Night, Irises and his self-portraits - are seen anew, in stunning full color-illustrations.
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Celebrates one of the greatest painters of the Dutch Golden Age with luxurious, large-format images Johannes Vermeer (1632-75) is one of the most beloved artists of the Dutch Golden Age. Vermeer's tranquil and meticulously painted interiors, of such subjects as women writing or reading love letters, and men and women drinking together or playing musical instruments, are acutely observed and have an enduring appeal. This sumptuously produced volume features full-colour reproductions of all 36 surviving works by the artist, along with numerous details that reveal the exquisite complexity of his paintings. An updated essay for the 1958 edition by Ludwig Goldscheider, co-founder of Phaidon Press, is accompanied by a new preface from Dutch painting specialist Wayne Franits, putting Vermeer into a contemporary context. Elegant design, fine papers and tipped-on image plates make this a true collector's edition.
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Celebrates one of the greatest and most beloved painters of the Early Renaissance with luxurious, large-format images Sandro Botticelli, one of the greatest painters of the Italian High Renaissance, enjoyed the patronage of the greatest Florentine families. He spent most of his career in the humanist circle of the Medici, for whom he painted such masterpieces as Primavera and Venus and Mars, works that combine a decorative use of line with Classical elements in harmonious and supple compositions. This sumptuously produced volume features an updated, full-colour selection of the artist's works made for the original 1937 edition by Ludwig Goldscheider, co-founder of Phaidon Press. The original essay by Lionello Venturi is accompanied by a new introduction from Renaissance specialist Alessandro Cecchi, putting Botticelli and his school into a contemporary context. Elegant design, fine papers and tipped-on image plates make this a true collector's edition.
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Celebrates one of the giants of French Impressionism with luxurious, large-format images Pierre-Auguste Renoir (1841-1919) was one of the founders of Impressionism and a friend of Monet, Pissarro and Sisley. He worked side-by-side with Monet on the banks of the Seine, sharing his concern with light and colour, but landscape painting never displaced his enduring love of figure painting. Delighting in the ample curves of the nudes he painted increasingly frequently in his later years, Renoir was also a master at capturing the spirit of Parisian life. His art is filled with optimism - his lifelong philosophy was that he painted because it gave him pleasure, and he shares that pleasure with those who see his work. It is almost always summer in his pictures, and in paintings like Moulin de la Galette, The Dance at Bougival and The Luncheon of the Boating Party he gives us an enduring record of contemporaries relaxing and enjoying their leisure.
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In her first exhibition with Gagosian, Katharina Grosse presents both works on canvas and cast-metal sculpture. This catalogue documents the exhibition and related recent works, and introduces readers to several of her important in-situ paintings including her installation at the 56th Venice Biennale and Rockaway! (2016), a site-specific outdoor installation that memorialized a building on the beach in Rockaway, Queens. This volume is presented in a slipcase with a stencilled cutout designed by Grosse.
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More than forty unique artists s books, their pages painted with gesso to mimic marble, can be found in the exciting new tome. Artists s books are an integral part of Kiefer s oeuvre; over time they have ranged in scale from the intimate to the monumental, and in materials, from lead to dried plant matter. In this selection of books, the sequences of narrative information and visual effect evoke the fragile endurance of the sacred and the spiritual through the female figures on the marbled pages.
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This landmark study is the first comprehensive exploration of the Proportioned Script, an Arabic writing system attributed to the Abbasid wazir (minister) Ibn Muqla and the master scribe Ibn al-Bawwab that has dominated the art of Arabic and Islamic penmanship from the 10th century to the present day. Volume One, Sources and Principles of the Geometry of Letters, traces the origin of the Proportioned Script to the cross-cultural encounter between Greek learning and the scientific, artistic and philosophical pursuits of classical Islam. On the basis of instructions in surviving sources it identifies a grid module that serves as a common foundation for the design of all the Arabic letter shapes. In Volume Two, From Geometric Pattern to Living Form, the authors construct each of the letter shapes on the grid module and compare their findings to samples traced by two classical master scribes. They conclude by examining the religious, aesthetic and cosmological significance of the Proportioned Script in the wider context of the Islamic cultural heritage. Drs Moustafa and Sperl have succeeded in unearthing the very foundations of Arabic penmanship, with implications for the arts of Islam as a whole.
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Agnes Martin's career spanned over seven decades. Though a major influence on Minimalist painters, Martin saw her own work, more closely related to Abstract Expressionism, her paintings being 'meditations on innocence, beauty, happiness and love.' More than 130 of these works can be found in this book. Agnes Martin: Paintings, Writings, Remembrances is the first and only complete career retrospective of the visionary painter. This important and beautiful book brings together 130 of Martin's paintings and drawings, with her previously unpublished writings and lecture notes, which vividly illuminate her art. Letters and facsimiles are reprinted in Martin's own hand, and cut to notebook size, adding an element of intimacy for the reader. Pace Gallery founder, Arne Glimcher's illuminating introduction, his personal remembrances of visits to Martin at her studio, and their correspondence throughout her career, reveal much about the artist's life and work.
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For more than thirty-five years, Antony Gormley has sought to explore the relationship of the human body to space and to reinvigorate and test the potential of sculpture with dramatic outdoor sitings. This definitive monograph, compiled in close collaboration with the artist, examines Gormley s career, from his earliest sketches to his best-known public installations. With unprecedented access to archives of unpublished work, the studio, and the artist himself, Martin Caiger-Smith examines the relationship between Gormley s life and art and identifies the vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for his major public works that most visibly represent his rigorous and innovative approach to sculpture, Gormley is a prolific and intellectual artist whose own privacy and interiority create a tension between ideas of the individual and the universal. With images that range from childhood snapshots to photographs of his most recent gallery installations, this book traces the evolution of Gormley s work, from the drawings he makes in the studio, through the evolving process of casting his own body in various forms, to masterpieces such as the colossal Angel of the North or the scattered figures of Another Place. With lavish images that show the scale and impact of Gormley s work many never published before and with anecdotes and notes on process from the artist seamlessly integrated into Caiger-Smith s careful critical narrative, this book is a comprehensive survey of a truly monumental career.
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The so-called chasuble of Thomas Becket (1118-1170) is one of the most magnificent medieval textiles in the Mediterranean region. Richly decorated with ornaments, fabulous animals and figures in lavish gold embroidery with Arabic inscriptions, this precious liturgical garment provides impressive proof of the reutilisation of the Islamic arts in the Christian world. Venerated as a relic of St Thomas of Canterbury, the chasuble was produced in Spanish-Muslim workshops and probably reached Italy as a donation to the Cathedral of Fermo in about 1200. Despite its outstanding artistic quality and fascinating history, this magnificent garment has never hitherto been the subject of a detailed study. Richly illustrated with numerous details, this volume investigates the meaning of the inscriptions and motifs, examines manufacturing techniques and the function of the chasuble, traces its "biography" and places it within the historical context of the political, economic and cultural situation in the Mediterranean region.
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At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where music, writing and intellectual thought all flourished, often brought together in the capital's famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schoenberg, and of the Secession (1897-1905), the modern movement led by Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a `Gesamtkunstwerk', a total work of art; of Jugendstil, Vienna's Art Nouveau; and of the Wiener Werkstatte, the workshop founded in 1903 by Moser and Hoffmann that revolutionized the decorative and graphic arts. There have been many exhibitions and publications devoted to this efflorescence, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this current volume, curated and authored by three leading scholars of the period. The book covers all areas of production: painting and drawing; decorative arts and crafts; applied art and book design; fashion, photography and architecture. In each section the illustrations take the lead, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture, jewelry; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women in all disciplines of the time.
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