Photographers & Photography Collections

  • APKUI
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    In the summer of 2010, photographer Brandon Stanton began an ambitious project -to single-handedly create a photographic census of New York City. The photos he took and the accompanying interviews became the blog Humans of New York. In the first three years, his audience steadily grew from a few hundred to over one million. In 2013, his book Humans of New York, based on that blog, was published and immediately catapulted to the top of the NY Times Bestseller List. It has appeared on that list for over twenty-five weeks to date. The appeal of HONY has been so great that in the course of the next year Brandon's following increased tenfold to, now, over 12 million followers on Facebook. In the summer of 2014, the UN chose him to travel around the world on a goodwill mission that had followers meeting people from Iraq to the Ukraine to Mexico City via the photos he took. Now, Brandon is back with the follow up to Humans of New York that his loyal followers have been waiting for: Humans of New York: Stories. Ever since Brandon began interviewing people on the streets of NY, the dialogue he's had with them has increasingly become as in-depth, intriguing and moving as the photos themselves. Humans of New York: Stories presents a whole new group of humans, complete with stories that delve deeper and surprise with greater candour. Let Brandon Stanton and the people he's photographed astonish you.
  • AVNUB
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    A magical collection of photographs and stories from the iconic streets of London. Capturing the inspiring, the moving, the surreal and the everyday, Cathy Teesdale has made it her mission to celebrate the extraordinary diversity of life found in London. Presenting over 250 photographs, she introduces us to the real people of London, their hopes, philosophies, troubles and stories. Since beginning the Humans of London Facebook page in late 2013, Cathy has travelled across the whole of the Greater London area, photographing and talking to strangers. This collection of personal encounters is the perfect antidote to feeling lost in a big city.
  • ADBCZ
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    A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.

    Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide?from France to New York City to Chicago and dozens of other countries?and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America?s post-war golden age.

    It wasn?t until local historian John Maloof purchased a box of Maier?s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.
  • AFROA
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    In 1985, Steve McCurry photographed an Afghan girl for the National Geographic. The intensity of the subject's eyes and her compelling gaze made this one of the most widely and consistently celebrated portraits in the history of contemporary photography. This image accompanies the other remarkable faces he has encountered whilst travelling throughout the world, collected together in an engaging and moving series of unique street portraits: unposed, unstylized images of people that reveal the true universality of the depths of human emotion. This fresh new edition, expanded to feature more photographs than before, including some never-before published, creates an up-to-date and unrivalled collection of McCurry's portraiture. Critically acclaimed and recognized internationally for his classic reportage, over the last thirty years he has worked on numerous assignments, travelling extensively throughout the Middle and Far East. A regular contributor to many international journals, McCurry is a member of Magnum Photos and a recipient of the Robert Capa Gold Medal and an unprecedented four World Press Photo first prizes in a single year; many of McCurry's images have since become modern icons. He is most famous for his evocative color photography, which has captured stories of human experience that, in the finest documentary tradition, transcend boundaries of language and culture.
  • AGBLK
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    Human (and) nature. Epic journeys to the ends of the earth: Salgado's opus on our planet in its natural state. On a very fortuitous day in 1970, 26-year-old Sebastiao Salgado held a camera for the first time. When he looked through the viewfinder, he had an epiphany: suddenly life made sense. From that day onward - though it took years of hard work before he had the experience to earn his living as a photographer - the camera became his tool for interacting with the world. Salgado, who "always preferred the chiaroscuro palette of black-and-white images," shot very little color in his early career before giving it up completely. Having been raised on a rural farm in Brazil, far from civilization and without television, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his esteemed career, three long-term projects stand out: "Workers" (1993), documenting the vanishing way of life of manual laborers across the world, "Migrations" (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, "Genesis", the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society - the land and life of a still-pristine planet. "Some 46 per cent of the planet is still as it was in the time of genesis," Salgado reminds us. "We must preserve what exists." The Genesis project, along with Salgado's Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 32 trips - traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions - Salgado created a collection of images showing us nature, animals, and indigenous peoples in such shocking and intense beauty as to take one's breath away. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black and white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de la Tour. On the earth is instilled a glistening, textured fabric so intricate in its weave that even the most finite details seem to extend to infinity. What does one discover in "Genesis"? The ancient animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Kurowai people of West Papua; nimadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska...and beyond. Having gone, quite literally in some cases, where no man has gone before, and having spent so much time, energy, and passion dedicated to the making of this work, Salgado likens "Genesis" to "my love letter to the planet."
  • AMSXR
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    This book offers an enchanting visual glossary of the British landscape: photographs and stories which take the reader from the waterlogged fens to the white sands of the Western Isles. 'Out...over the hill and then down the dip and through some lumpy bits.' This was how Dominick Tyler used to describe the places he roamed during his childhood in rural Cornwall. Vague generalities were good enough then, but later he felt a more precise, more detailed language must exist, precisely because he needed it to do what people must have needed it to do for millennia: give directions, tell a story or find a place. And so he began collecting words for landscape features, words like jackstraw, zawn, clitter and cowbelly, shivver and swag, tolmen and tor. Words that are as varied, rich and poetic as the landscapes they describe. Many of these words for our landscape are falling into obscurity, some endure only by haunting place-names and old maps. Here Dominick Tyler gathers them into an enchanting visual glossary of the British landscape. On facing pages are photographs and stories touching on geology, literature, topography, folklore and a time when our ancestors read the lines on the land as fluently as text. Taking us from the waterlogged fens to the whitesands of the Western Isles, this full-colour book is a rare delight.
  • ANBKR
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    In search of a lost time: The complete portfolios by Edward S. Curtis on Native Americans At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868-1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out. With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare. This book gathers Curtis' entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form.
  • ATIAF
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    Why Drag? Because drag is limitless. Anything is possible and excepted as long as it provokes reaction.'--Darienne Lake, Rochester, New York'Why drag? Because I like to wear pantyhose.'--Tammie Brown, Los AngelesFor over a decade, British photographer Magnus Hastings has been photographing the world's greatest drag superstars and asking each of them a simple question: Why drag? The result is this mesmerising collection, in which the queens strut their stuff in gorgeous full-colour photographs and reflect on their shared passion through a mixture of quips and philosophising. Hastings' subjects include icons of reality TV and underground drag royalty, and his photographs range from the divine to the trashy. Featuring the likes of Bianca Del Rio and Courtney Act, this collection is a bold, bright, and beautiful celebration of drag as an art form and an exhilarating exploration of what drag means to its greatest artists.
  • AVBJG
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    Slim Aarons: Women explores the central subject of Slim Aarons's career--the extraordinary women from the upper echelons of high society, the arts, fashion and Hollywood. The book presents the women who most influenced Slim's life and work--and the other remarkable personalities he photographed along the way, including Audrey Hepburn, Jackie Kennedy, Diana Vreeland and Marilyn Monroe, all featured in unforgettable photographs. The collection contains more than 200 images, the majority of which have not appeared in previous books, along with detailed captions written by one of Slim's closest colleagues. Showcasing beautiful women at their most glamorous in some of the most dazzling locations across the globe, Slim Aarons: Women is a fresh look at the acclaimed photographer through the muses who inspired his most incredible photographs.
  • AVLKX
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    Venice is for gondolas, New York for taxis, Oxford for bicycles - and pedestrians. Oxford is a place to be taken slowly. This is a city which has survived untouched for the best part of a thousand years. And there has been a university here for nearly as long. And yet it never grows old: it renews itself each autumn with a fresh infusion of youth. Look at it closely, and ponder its secret. A familiar sense of history may well be your first instinct as you consider these fascinating pages; your second, a realisation of the originality of the images, the pictures, the representations of the photographs: perspective, balance, light and shade, above all insight into the very heart of Oxford. The soul of things: street names, bicycles, the Thames, college libraries and dining halls. Oxford is one of the great universities of the world. It has been in existence for the better part of 800 years. Its history is to be found in the colleges, in the faculties and in the departments, in the magnificent collections held in its libraries and museums, in its time-honoured traditions and ceremonies, and in the magnificent architecture of its buildings set in and around the centre of the city.A diverse selection of images offer an understanding of how the university works: the people, the staff, the students and academics, a view of the university from the inside. The photographs selected here catch something of its double identity; something too of the daily life of the place so many lectures, so much laughter lived out routinely, oblivious very often of all the history. The university buildings provide one sort of setting; for examinations, processions, celebrations. The Colleges supply another: for dining and drinking; for reading and thinking. The Bodleian Library, the Divinity Schools, the Clarendon Building, the Sheldonian Theatre: here the University is on its best behaviour; dignified, formal, gloriously displayed. The Colleges show another side. Cloister and chapel, library and hall: a hint of privacy and calm; privilege too; and defence against the world. The city aside from the university is here too. So many images, so many perspectives, captured here, in lucid photographic language: winter's mornings, before the snow has started to melt; the river hosting one of the university's most popular sports, as well as leisurely punting.The floods of summer 2007 when the river extended its reach. Dawn on May Morning, when crowds have gathered together on Magdalen Bridge to listen to the choristers singing from the top of Magdalen College tower before jumping into the River Cherwell from the bridge! The city celebrates with funfairs and spectacles. Douglas Vernimmen's magnificent portfolio of photographs is his unique, early twenty-first century, pictorial interpretation of an extraordinary city.
  • AWOGX
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    William Klein (born 1928) is a photographer who has always moved against the current. A painter, filmmaker, graphic designer and fashion photographer, Klein grew up in New York but has been based in Paris since 1948. His shots are often intense and immediate, disrupting the established order of things and capturing fragmented snatches of distortion and movement. Although best known for his images of New York in the 1950s, he has also worked in other urban environments, including Tokyo and Moscow, as well as producing a striking series of painted contact sheets. Throughout his varied body of work, his insatiable desire to confront the chaos of the world shines through.
  • AWVCD
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    A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today. The first photographer to win the Turner Prize (in 2000), his practice is characterised by constant investigation into the boundaries of the photographic medium and a preoccupation with the process of photography itself. This new publication, accompanying an exhibition at Tate Modern, will examine Tillmans's evolving practice showcasing his photography but also his video, digital slide projections, publications and recorded music. Mark Godfrey gives an overarching view of Tillmans's practice, from the physical materiality of the work, to space and installation, to his use of abstraction. Tom Holert focuses on Tillmans's relationship with politics and society, with particular emphasis on events of the last 15 years and the way Tillmans uses images and methods of distribution to examine global concerns such as migration and identity politics.
  • ALRIN
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    Devised by Charlie Waite, one of Britain's most highly respected landscape photographers, and created in association with AA Publishing, the prestigious Landscape Photographer of the Year competition is now in its eighth year. In celebration of the competition, Landscape Photographer of the Year Collection 8 features all of the winning and commended images along with four special awards: the Countryside is GREAT Award, the Visit Britain 'You're Invited' Award, 'Lines in the Landscape' from Network Rail, and The Sunday Times Magazine choice. Artists have always strived to capture the unique beauty and diversity of the British landscape.

    In the 21st century, this small island continues to provide photographers with an astonishing source of inspiration. From classic shots of the verdant countryside of England, Wales and the rugged Scottish Highlands to the iconic structures of Britain's industrial and urban landscapes, this magnificent collection, showcasing both the very best of Britain and the very best photographic talent, cannot fail to please.
  • APHTV
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    From the creators of the hugely popular tumblr site, 'Cabin Porn', comes this collection of breath-taking photography of rural escapes and inspiring stories of people who've created their dream home. A simple shelter, somewhere peaceful, surrounded by nature...wherever you dream of having your quiet place, these rural escapes are for anyone yearning for a different kind of existence. Cabin Porn began as an online project created by a group of friends to inspire their own homebuilding. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.
  • APLKZ
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    For 50 years, the Wildlife Photographer of the Year competition has championed honest and ethical wildlife photography, while pushing the boundaries of artistic freedom, technical skill and narrative excellence. This powerful collection of pictures features all the winning photographs from the 2015 competition. The collections represents the work of many international photographers, both professionals and amateurs. The photographs are chosen by an international jury for their artistic merit and originality, from categories that together represent a diversity of natural subjects. The range of styles is also diverse, as is the genre of photography, whether action, macro, underwater, landscape or environmental reportage. Together this outstanding collection is a reminder of the splendour, drama and variety of life on Earth. Each stunning photograph is accompanied by an extended caption and there is an introduction by one of the world's most respected nature photographers.
  • AAIGW
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    Anthony Armstrong-Jones was born to a Welsh father and English-Jewish mother. Creative and inventive, he attended Eton and then Cambridge. The engagement of this motorbike-riding freelance photographer in 1960 to Princess Margaret was a bombshell. Friends privately predicted disaster. And so it proved. But meanwhile in the 1960s, mixing with actors, artists and pop stars, they were the epitome of stylish and unstuffy arts-loving Royals - and one of the iconic glamorous couples of that era. Tony continued to work and both began to have affairs. They divorced in 1978. Snowdon married again but this marriage collapsed after the birth of a secret love-child and the suicide of his mistress of twenty years. His low boredom threshold and waspish cruelty are balanced by his fabled charm and genuine concern for the disabled and underpriviledged. One of the great British photographers, at 76 he now suffers from a recurrence of childhood polio. But by any standards he has had an extraordinary life.
  • AHWEA
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    Across the Ravaged Land is the third and final volume in Nick Brandt's trilogy of books documenting the disappearing natural world and animals of East Africa. The book's title, combined with the titles of Brandt's first two books, captures the change he has witnessed: "On this Earth, a shadow falls across the ravaged land." The book offers a darker vision of the world that Brandt has been photographing for the last decade, a world still filled with a stunning beauty, but now tragically tainted and fast disappearing at the hands of man. In addition to a range of new, starkly powerful portraits of animals; elephants, lions, leopards, hyenas, that appear to be posing especially for the photographer as if in a studio, Brandt introduces some new themes. For the first time, humans make an appearance in his photographs. On the jacket, a crouched ranger supports the weight of two giant tusks of an elephant killed by poachers. One new series of photographs has hunters' trophies placed back in the epic landscapes where once these creatures roamed. Another features perfectly preserved animals calcified by the salts of a Rift Valley soda lake. In both instances, the subjects appear strangely alive and sentient in death. Brandt also contributes two essays summing up his photographic odyssey, which has taken more than a decade of intensive work to complete. One details his work from the perspective of conservation, giving a broad overview of the wave of destruction of wildlife and habitat across Africa and describing the work his Big Life Foundation is doing to preserve the Amboseli ecosystem of Kenya and Tanzania. The other discusses technical aspects of his project.
  • APIXS
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    Between 2011 and 2014 PJ Harvey and Seamus Murphy set out on a series of journeys together to Kosovo, Afghanistan, and Washington DC. Harvey collected words, Murphy collected pictures, and together they have created an extraordinary chronicle of our life and times. The Hollow of the Hand marks the first publication of Harvey's powerful poetry, in conversation with Murphy's indelible images. It is a landmark project and will be published internationally in October 2015. As PJ Harvey says: 'Gathering information from secondary sources felt too far removed for what I was trying to write about. I wanted to smell the air, feel the soil and meet the people of the countries I was fascinated with. Following our work on Let England Shake, my friend Seamus Murphy and I agreed to grow a project together lead by our instincts on where we should go.' Seamus Murphy adds: 'Polly is a writer who loves images and I am a photographer who loves words. Our relationship began a few years ago when she asked me if I would like to take some photographs and make some films for her last album Let England Shake. I was intrigued and the adventure began, now finding another form in this book. It is our look at home and the world.' The Hollow of the Hand will be available in a hardback edition with highest quality photographic reproductions, as well as a reader's paperback version.
  • AVHXM
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    Jane Bown is a legendary Observer photographer best-known for her portraits of icons from Beckett to Bjork. This is a charming collection of 100 black and white pictures of felines which reveals the same sympathetic eye and wit as her portraits. She captures the cats sprawling, prowling, lolling, playing, feeding and lounging. House cats, alley cats, show cats and kittens trip and gambol across these pages making this the perfect photographic treat for cat-lovers.
  • AKYEM
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    Cecil Beaton was a fashion, portrait and war photographer, a diarist, artist and an Academy Award-winning designer. He is one of the most celebrated portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. Cecil Beaton: Portraits and Profiles combines Beaton's photographic and pen portraits. His images often flattered but his diaries and journals didn't necessarily follow suit; he was described by Jean Cocteau as 'Malice in Wonderland'. Grouped together in chapters on the Roaring Twenties, High Society and Haute Couture, Hollywood, the War Years, the Arts, and the Peacock Revolution, Beaton's portraits offer insight, beauty, witty observations and a fascinating glimpse into his world. Included are Mick Jagger, Marlon Brando ('pallid as a mushroom, smooth-skinned and scarred, with curved feminine lips and silky hair, he seems as unhealthy as a lame duck. Yet his ram-like profile has the harsh strength of the gutter'), Maria Callas, Coco Chanel, Greta Garbo, Audrey Hepburn ('she is like a portrait by Modigliani where the various distortions are not only interesting in themselves but make a completely satisfying composite'), Elizabeth Taylor, Salvador Dali, Pablo Picasso, Andy Warhol, Marilyn Monroe ('she romps, she squeals with delight, she leaps on the sofa. It is an artless, impromptu, high-spirited, infectiously gay performance. It will probably end in tears'), Princess Grace, Queen Elizabeth and Winston Churchill. Cecil Beaton's life spanned many worlds and these are captured here through his fabulous photographs and incisive observations.
  • AXFLV
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    Exploring Richard Avedon's fascination with France, Avedon's France brings together a collection of spectacular photographs; selected interviews, letters, publications, and writings (including new material from the Avedon Foundation archives); and substantive essays by the authors. In addition to five portfolios of French sitters spanning a lifetime of portraiture, it looks at Avedon's apprenticeship to his mentor, Alexei Brodovitch; his encounters with French fashion; his idealised version of Paris in the movie Funny Face; his fresh take on the Belle Epoque in his book on Jacques-Henri Lartigue, Diary of a Century; and his fruitful association with the magazine Egoiste later in his life. Avedon's France offers a full account of Avedon's restless pursuit of new ways of looking at the world, and it reveals a master image maker, a true artist for his time.
  • AFHFI
    (1)
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    American photographer Steve McCurry (b.1950) is universally recognized as one of today's finest image-makers and has won many of photography's top awards. This special limited-edition monograph brings together the most memorable and beautiful of his images, taken around the world over the last 30 years. McCurry's ability to cross boundaries of language and culture to capture fleeting moments of human experience is unique. With his discerning eye for form and colour, shape and symmetry, he offers us windows into other worlds. Seen at the large scale of this new book, McCurry's images are particularly powerful: reproduced at slightly larger than life size, his portraits have an extraordinary immediacy and impact, while even the smallest details of his spectacular landscapes are clearly visible on the page. Portraits of children, pilgrims and farmers are presented alongside views of ancient temples, busy city streets, dramatic mountain landscapes and quiet scenes of daily life - people are seen fishing, playing, working and praying. The images are presented in an uninterrupted sequence for maximum impact, and all the photographs are shown at either full-page size or as double-page spreads. The back of the book contains extended picture captions accompanied by colour thumbnail images for quick identification.
  • ABEOE
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    Photographer Frederic Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.
  • AIDLE
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    Beautifully reproduced and cleanly presented, the four hundred images in this volume represent the finest work of a pre-eminent landscape photographer. The photographs are arranged chronologically into five major periods in order to convey Adams's maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is intended as a must-have gift and reference book for anyone who appreciates photography and the allure of the natural world. Few artists or photographers of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Ansel's vision and his prodigious output that a book of this scale can be justified, and it is a point of pride for Little, Brown to publish a comprehensive overview of the work of Ansel Adams in a single well-packaged volume.