Textile Craft Books
Talented knitting designer Jody Long will show you how to decorate your home with a range of contemporary knitted projects.
- RRP £14.95
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This book starts with an introduction to basic techniques so that the first project will be a breeze and includes instructions for larger items including a tea cosy, table set, wall hangings, throws, rugs, baskets and cushions of varying shapes and sizes.
There are contemporary and stylish projects that will add style to every room.
It's as easy as A, B, C to bring a touch of typography into your home decorations.
- RRP £12.99
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In this practical craft book, Clare Youngs offers 35 quirky and cool projects to make from inexpensive and easily sourced materials including recycled fruit crates and old T-shirts.
All the projects have accessible instructions and there's even a tools and techniques section to help you brush up your crafting skills, whatever letter you choose.
This is the collection anyone looking for a new hobby has been waiting for - Book People's Ultimate Craft Collection! Available at an unbelievable price, the books offer step-by-step advice on everything from dressmaking to flower arranging, paper crafts and so much more.
- RRP £69.90
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- Just 83.00p per book
Written by the experts at DK, the books are sure to delight anyone with some creative flair. The step-by-step instructions and illustrations will give you all you need to make the most of your new hobby. A wide-ranging collection full of craft ideas, there are also books covering crochet, knitting, Christmas crafts, home crafts and stitches.
Slipcase not included.
To call what Janet Bolton makes with fabric 'patchwork' doesn't do justice to her creations - hers are images, pictures that capture fragments of an imagination that can strike anywhere, at any time. In Fabric Pictures, Janet shows you how to create beautiful pictures on fabric. Taking you through her personal method, she will guide you to find the inspiration around you and teach you how to turn your creativity into a textile project and develop your personal 'voice'. The book is divided into two main sections - the first on how to find inspiration, the second on how to put your ideas into practice, complete with a step by step example that will show you every stage of construction from beginning to end. Just like in her workshops, Janet's guidance in the book is friendly, reassuring and inspiring - once you finish your first project you won't be able to wait to start the next.
- RRP £20.00
The events of your life, from local walks to exotic trips, can provide endless inspiration for textile art. This inspiring book shows you how to record your experiences, using sketchbooks, journals and photography, to create personal narratives that can form a starting point for more finished stitched-textile pieces. Acclaimed textile artist and teacher Cas Holmes, whose work is often inspired by her life and the journeys she makes, helps you find inspiration through your own life and explains how to record what you see in sketchbooks and journals, which can often become beautiful objects in themselves. She explains how you can use photography, both as documentation and as inspiration, and sometimes incorporate it into the work itself, along with found objects and ephemera. Throughout the book are useful techniques that can be harnessed to add extra interest to your work, such as methods for making layered collages, how to 'sketch' with stitch, and advice on design and colour. If you want to create beautiful, unique work inspired by your life and travels, this is the perfect book for you.
- RRP £22.95
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It's a question asked by many budding textile artists: how can I be more creative? You've got a few ideas and know some techniques, but you're not sure how to get started or make your work hang together. This book shows you how. It explains the creative process from the very beginning: where to find inspiration and how to harness those ideas; how to gather source material; how to pull together what you have. The authors then take you on a journey to develop a design. Learn how to put elements together to make a cohesive whole and develop a theme, learning established design rules along the way. Part Three, Moving into Stitch, gives you a range of techniques and easy experiments with which to turn your design into stitched-textile work. From choosing what fabrics to use, to layering, creating texture and adding embellishment, it covers the key techniques to try. This is a terrific book for those starting out in textiles who really do want to be as creative as they can possibly be.
- RRP £19.99
The use of text is currently very popular in textile art, and its creative potential is unlimited. Text can engage directly with the viewer to express personal concerns, social and political issues and even humour. In this exciting new book, Sara Impey, one of the world's best-known textile artists and an innovator in using text in her work, presents the definitive guide to text in textiles. She aims to inspire makers with the confidence to use text in their work, to illustrate how it can be used as a means of self-expression, and to provide advice on where to look for sources of inspiration. The book includes a brief discussion of stitched lettering in history, and examines the current scene, including contemporary artists such as Tracey Emin. It then goes on to explore how to find inspiration for your work, whether personal or political, with exercises on how to get your thoughts organized. Finally, a wealth of practical tips are given on how to get text into your work, including hand-stitching techniques, computers and the new generation of sewing machines, photo transfer, found objects and the use of newsprint and other printed materials. It also contains valuable information on copyright. This fascinating book is perfect for any textile artist who wants to add an extra dimension to their work by incorporating text.
- RRP £19.99
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At its very essence, textile art is about mark-making. As an artist would use a pencil, an embroiderer or quilter can use stitch to make marks on fabric - a fundamental creative act. The making of marks often starts and underpins the entire design process, and a textile artwork is usually made up of repeated stitched marks. This fascinating book shows how marks can be used in textile work, both simple and complex, and explores the crossover between stitch and drawing. Author Helen Parrott is well known for her strongly graphic textile art, which uses marks to stunning visual effect. The book is divided into the types of marks that can be made on fabric, varying in complexity, arrangement and 'feel' - single, grouped, massed, regular, irregular, calligraphic, permanent, transient, and so on. It covers both hand and machine stitch, which make very different types of mark and between them offer limitless potential for mark-making, used both separately and together. It aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills and strengthen your personal creative voice, and is an essential book for any textile artist.
- RRP £22.95
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Textiles are an exciting art medium of their own, and Val Hughes' exceptional themed collections showcase their versatility with stunning panels, wearable art, wall hangings, bags, jewellery and accessories. Val Hughes explains how to use your senses and emotions as inspiration for your own incredible textile artwork, and how to use wool and water to bring them into reality as felt. Each of Val's collections is explored through themed galleries of her inspirational wearable art alongside step by step projects for you to try.
- RRP £17.99
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More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work. Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark. The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.
- RRP £22.95
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The so-called chasuble of Thomas Becket (1118-1170) is one of the most magnificent medieval textiles in the Mediterranean region. Richly decorated with ornaments, fabulous animals and figures in lavish gold embroidery with Arabic inscriptions, this precious liturgical garment provides impressive proof of the reutilisation of the Islamic arts in the Christian world. Venerated as a relic of St Thomas of Canterbury, the chasuble was produced in Spanish-Muslim workshops and probably reached Italy as a donation to the Cathedral of Fermo in about 1200. Despite its outstanding artistic quality and fascinating history, this magnificent garment has never hitherto been the subject of a detailed study. Richly illustrated with numerous details, this volume investigates the meaning of the inscriptions and motifs, examines manufacturing techniques and the function of the chasuble, traces its "biography" and places it within the historical context of the political, economic and cultural situation in the Mediterranean region.
- RRP £85.00
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A richly illustrated overview of the current-day knowledge on the textile art of the Nile Valley from the first millennium AD, in response to the 9th conference on 'Textiles from the Nile Valley' in Antwerp of 27-29 October, 2017. This is one of only a handful of books devoted to the textile art of the Late-Roman, Early-Byzantine and Early-Islamic textile art in Egypt. Over 20 essays by specialists elaborate on the pieces of textile art that were found in excavations and museums, and discuss the radiocarbon dating, iconography and weaving techniques demonstrated.
- RRP £150.00
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The story begins in 1856, when Abdul Tyeb Maskati started a small business exporting block-printed cloth from India to Siam (as Thailand was then known). Before long, the cloth was being made to order, with Indian block-makers carving intricate designs especially for the Siamese market. Known as saudagiri in India and pha lai in Siam, this unique art form blends South Asian and Southeast Asian artistry and design. As one of its first and biggest producers, the Maskati firm expanded from Siam to Singapore, Cambodia, and Burma, and the name `Maskati' became synonymous in Southeast Asia with this type of block-printed cloth. After consolidating his initial legacy, the descendants of Abdul Tyeb Maskati responded to diminishing opportunities in the pha lai market by diversifying their trade networks, products, and expertise. Under the leadership of his grandson, Abdultyeb Maskati (pictured on the cover), the family firm was transformed and extended its reach as far afield as Japan. Later still, after years of prudence under challenging political circumstances across the region, the business was transformed once more. Today, it continues with his great-great-grandsons at the helm and is run as two separate entities in India and Thailand - a geographical legacy of his initial idea to ship textiles from India to Siam 160 years ago.
- RRP £50.00
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This collection of rare and exquisite textiles from Central, Northern and West Africa includes weavings from Ghana, Nigeria and the Ivory Coast; embroideries, veils and haiks from Morocco and Tunisia; and raffia fabrics from Congo. Organised by region, each piece is dramatically photographed to highlight the extraordinary colours, patterns and skill with which it was created. Drawn from a collection consisting of over 4,000 pieces, this book illustrates the most important textiles from the renowned collection. The book provides not only a thrilling sample of timeless patterns and designs but also a historical perspective that deepens our understanding of the importance of woven materials in the African tradition.
- RRP £55.00
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Austrian artist Monika Fioreschy first gained recognition for her large-format wall tapestries woven in the Gobelin style, but it was a fascination with heart surgery that inspired her to work with entirely new material medical-grade silicone tubingin her most recent series of work. For "Injection Art, " Fioreschy incorporates various thicknesses of tubing into intricate woven works resembling bodies, using disposable syringes to inject the works with fluids like blood, chlorophyll, and plant and fruit juices to give the appearance of life. This fascinating artistic process results in works that are highly structured and unexpectedly colorful, as well as strikingly transformative as the injected liquids dry. "Injection Art" collects more than fifty of Fioreschy s works in this unconventional medium, bringing much-deserved attention to this new body of work."
- RRP £43.00
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One of the most distinctive features of Islamic design is the evolution of an increasingly abstract and repetitive repertoire of motifs, which are shared among all media - metalwork, woodwork, ceramics, tilework and textiles. In textiles the main themes are based on angular and geometric shapes - vertical and horizontal striped bands; hexagons and octagons, which can be linked and infinitely extended; stylized and rhythmic scrolls of foliage and flowers; and Arabic calligraphy, of which the letters can be formed into continuous borders, panels and medallions. These motifs can be used separately or combined into complex patterns, of which the repetitive and two-dimensional features are ideal for textile production, especially where varying lengths are required - for hangings, curtains, robes and shawls. Valued for their role in the subtleties of court ceremonial and fashion, these textiles were also much admired beyond the Islamic lands. The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and applique and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth and early twentieth centuries, which, thanks to the basically conservative nature of textile technique and design, preserve and continue the traditions established in the medieval Islamic world. They are important in an assessment of Islamic textiles both for their quality and as illustrations of survival and adaptation in a major industry. Their heritage reaches back well over a thousand years, even though their very high perishability means that for the earlier part of the tradition our knowledge is reliant very largely on written sources. These, however, attest to the superb quality and quantity of textiles at the courts of the period.
- RRP £40.00
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Published on the occasion of an important international loan exhibition at The Azerbaijan Carpet Museum in Baku, this multi-author book is much more than a mere catalogue. Written by a team of international museum professionals and independent scholars, it is the first co-ordinated and detailed study of the West Caspian region's characteristic silk embroideries. The book traces the history of embroidery in the Caucasus, the multi-cultural sources of domestic embroidery iconography and designs in which the textile traditions of the Iranian and Turkic worlds meet, materials and needlework techniques, as well as the relationship between embroidery and the pile carpet weaving tradition in the region.
- RRP £65.00
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Inspired by her love of nature, Lindsay Taylor moulds, sculpts, weaves and entwines hand-dyed natural fabrics into three-dimensional works of art. Employing a variety of techniques, including free-machine embroidery, hand embroidery, painting, dyeing, quilting, felting beading, wirework and applique, she recreates items such as bags, shoes, gowns, hats, even cups and lampshades in organic form, reflecting the intricacy and exquisite beauty of the natural world and instilling them with a dreamlike quality evocative of fairyland. The emphasis of this book is placed firmly on showcasing Lindsay's unique style of embroidered art, with an extensive gallery taking up three-quarters of the book and containing beautiful photographs and intriguing close-ups of her work. The introductory section provides an insight into her life journey - the evolution of her unique style of work, her inspiration, and the methods and materials she uses.
- RRP £30.00
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Unconventional & Unexpected: Quilts Below the Radar 1950-2000 is a stunning collection of approximately 150 quirky, eccentric, maverick and extraordinary quilts made predominantly by anonymous quilters in the United States during the last half of the 20th century. Collected by renowned quilt authority and collector Roderick Kiracofe via eBay, flea markets, estate sales and other sources, they represent a 20th-century quilt movement that remains mostly undocumented. Unlike the quilts replicating traditional patterns of earlier centuries and the art quilts that we've become accustomed to seeing, these surprising quilts represent a much freer, more casual, utilitarian aesthetic that departs from (and returns to) a multitude of norms and standards. In Unconventional & Unexpected, Kiracofe presents the best quilts in his collection along with essays that help to contextualise them by experts in a variety of fields, including quilt-making, quilt history, art history, collecting, colour, photography and domestic life.
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After goldsmiths work, tapestries and embroideries were among the costliest art forms of the Middle Ages, due to their precious materials and the countless hours required to produce them. Whether hung on the wall or worn about the person, textiles provided a potent display of their owners' wealth and status. Their vivid decoration also provided the perfect backdrop for courtly pageants, royal ceremonies, and liturgical festivals. Even the quickest glance at late medieval paintings shows just how forcefully textiles shaped the visual texture of the occasions they depict. Though always the works of specialist craftsmen, in the later Middle Ages textiles were often made following designs supplied by the leading painters and designers of their age. Yet only a tiny fraction of what was made has survived. The fragility of the fabrics, light damage and insects, together with alterations of use, have made this material extremely rare. This catalogue includes thirty-six late medieval and Renaissance textiles, many published for the first time, that together span a period of almost two hundred years. They are organised by country, starting with otherwise unrecorded examples of `opus anglicanum' made in English workshops between around 1400 and the eve of the Reformation. They are followed by textiles from France, the Netherlands, Germany, Italy and Spain. Different materials and classes of textile are grouped together within each of these regional divisions. For instance, liturgical vestments and altar hangings sit side by side with sumptuous velvets and delicately embroidered tablecloths. Together, they encapsulate the incredible breadth of Europe's flourishing textile industries during this period. Rosamund Garrett and Matthew Reeves have carefully recorded the physical structure, processes of manufacture, and condition of these remarkable and sometimes complex works, and have situated them within the wider contexts of their production and the cultural climate in which they were made.
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Knitting and crochet have long been considered forms of folk art, but in the 21st century, these time-honoured crafts are breaking away from the outdated stereotype of cosy domesticity. Whether miniature or oversized, multi-coloured or monochrome, abstract or naturalistic, intimate or exhibitionist, knitted works are now invading galleries, museums and other public spaces. Yarn has become a medium for artistic expression as valid and multifaceted as painting, sculpture or photography. Showcasing forty international artists who incorporate knitting, crochet and more into their practice, this book provides a survey of yarn work in contemporary art, illustrating the huge range of ways in which these techniques have been embraced as a form of creative expression. Some artists evoke a kind of nostalgia, rediscovering skills that have fallen from fashion or promoting the value of ancient handicrafts in an industrialized world of mass-production. Others push the boundaries of knitting by using non-traditional materials such as rope or wire, or by using its sculptural potential to tackle themes that are political, personal or transgressive. Although often associated with feelings of warmth, enclosure and familial love, yarn can also represent the ties that bind us together or a membrane that protects us from the world. Packed with striking images, this book demonstrates how knitting needles and crochet hooks can created works of art that are challenging and unique, forcing us to take a fresh look at our own lives and beliefs and at the objects that surround us every day.
- RRP £29.95
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Edinburgh Weavers was one of the most important textile companies of the twentieth century. Alastair Morton, visionary art director of the company, commissioned a remarkable series of textiles from leading British artists, including Ben Nicholson, Barbara Hepworth and Elisabeth Frink, as well artist-designers, such as Marion Dorn, Ashley Havinden and Lucienne Day. Morton was also a gifted artist, textile designer and weaver in his own right. This long overdue study traces his wide-ranging career and records the history of Edinburgh Weavers and the glorious textiles it produced. Drawing on the V&A's extensive archive this impressive book features over 300 images of artists' textiles unparalleled in quality and scope and is an invaluable resource.
- RRP £45.00
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This volume offers a sumptuously illustrated, region-by-region survey of textiles made, worn, used and displayed in every corner of the Islamic world. The text includes details of dozens of textile techniques, such as loom types, materials, forms of decoration and local specialities, while hundreds of glorious illustrations including specially taken colour images of textiles on display, photographs of weavers and dyers in action, and rare historical material constitute an astonishingly varied visual panorama that will appeal to collectors, travellers and anyone interested in Islamic culture.
- RRP £28.00
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Renowned colour expert and quilt and fabric designer Kaffe Fassett explores flowers as a source of inspiration for patchwork and needlepoint in this new quilting guide and pattern collection. Along the way, he shares a behind-the-scenes look at his fascinating design process--from mood boards and "sketching" with colour swatches to planning and sewing the quilts. While the focus is on patchwork and needle--point, the design and color ideas translate to many design disciplines and materials, including crafts, fiber arts, floral design and home decor. Accessible to all skill levels, the designs on each page will inspire you to see how much more colourful and alive your needlework, quilts and creative projects can be.
- RRP £26.99
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