The Baillie Gifford Prize 2017
The words that failed were words of hope. But they did not fail at all times and everywhere. These gripping pages teem with words of defiance and optimism, sounds and images of tenacious life and adventurous modernism, music and drama, business and philosophy, poetry and politics. The second part of Simon Schama's epic Story of the Jews is neither overwhelmed by hopelessness nor shrouded in the smoke of the crematoria. As much as it gives full weight to the magnitude of the disaster that befell the Jews, it is a story of hope vindicated rather than wiped out. The stories unfold across the world - in the provincial pavilions of Ming China and beneath the brass chandeliers of Rembrandt's Amsterdam; on ships and carts, stage-coaches and railway trains crossing oceans and continents; in the honky-tonk of San Francisco and the pampas of Argentina, the department stores of Berlin and the avenues of Trieste. The stories themselves are played on the stage of opera houses; in the travelling camera of an expedition in Ukraine, the prison cells of Stalin's Russia, the lagers of the Holocaust; the scenery of misery and redemption in Palestine and Israel. At the heart of the story is the budding belief that peoples of different faiths, customs and cultures can be fellow-citizens of a common country. And amidst all the brutality, somehow the light of Jewish endurance is never extinguished. The odyssey is unforgettable, the storyteller impassioned, the words unfailing.
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The Islamic Enlightenment: a contradiction in terms? The Muslim world has often been accused of a failure to modernise, reform and adapt. But, from the beginning of the nineteenth century to the present day, Islamic society in its Middle Eastern heartlands has in fact been transformed by modern ideals and practices, including the adoption of modern medicine, the emergence of women from purdah and the development of democracy. Who were the scholars and scientists, writers and politicians that brought about these remarkable changes? And why is their legacy now under threat? Beginning with the dramatic collision of East and West following Napoleon's arrival in Egypt, and taking us through 200 tumultuous years of Middle Eastern history, Christopher de Bellaigue, introduces us to key figures and reformers; from Egypt's visionary ruler Muhammad Ali to brave radicals like Iran's first feminist Qurrat al-Ayn and the writer Ibrahim Sinasi, who transformed Ottoman Turkey's language and literature. This book tells the forgotten story of the Islamic Enlightenment. It shows us how to look beyond sensationalist headlines to foster a genuine understanding of modern Islam and Muslim culture, and is essential reading for anyone engaged with the state of the world today.
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'When I am disturbed, even angry, gardening has been a therapy. When I don't want to talk I turn to Plot 29, or to a wilder piece of land by a northern sea. There, among seeds and trees, my breathing slows; my heart rate too. My anxieties slip away.' As a young boy in 1960s Plymouth, Allan Jenkins and his brother, Christopher, were rescued from their care home and fostered by an elderly couple. There, the brothers started to grow flowers in their riverside cottage. They found a new life with their new mum and dad. As Allan grew older, his foster parents were never quite able to provide the family he and his brother needed, but the solace he found in tending a small London allotment echoed the childhood moments when he grew nasturtiums from seed. Over the course of a year, Allan digs deeper into his past, seeking to learn more about his absent parents. Examining the truths and untruths that he'd been told, he discovers the secrets to why the two boys were in care. What emerges is a vivid portrait of the violence and neglect that lay at the heart of his family. A beautifully written, haunting memoir, Plot 29 is a mystery story and meditation on nature and nurture. It's also a celebration of the joy to be found in sharing food and flowers with people you love.
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What is transhumanism? Simply put, it is a movement whose aim is to use technology to fundamentally change the human condition, to improve our bodies and minds to the point where we become something other, and better, than the animals we are. It's a philosophy that, depending on how you look at it, can seem hopeful, or terrifying, or absurd. In To Be a Machine, Mark O'Connell presents us with the first full-length exploration of transhumanism: its philosophical and scientific roots, its key players and possible futures. From charismatic techies seeking to enhance the body to immortalists who believe in the possibility of 'solving' death; from computer programmers quietly re-designing the world to vast competitive robotics conventions; To Be a Machine is an Adventure in Wonderland for our time. To Be a Machine paints a vivid portrait of an international movement driven by strange and frequently disturbing ideas and practices, but whose obsession with transcending human limitations can be seen as a kind of cultural microcosm, a radical intensification of our broader faith in the power of technology as an engine of human progress. It is a character study of human eccentricity, and a meditation on the immemorial desire to transcend the basic facts of our animal existence - a desire as primal as the oldest religions, a story as old as the earliest literary texts. A stunning new non-fiction voice tackles an urgent question...what next for mankind?
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'This is a book that was begging to be written. This is the kind of book that demands a future where we'll no longer need such a book. Essential' Marlon James, Man Booker Prize-Winner 2015 'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant A powerful and provocative argument on the role that race and racism play in modern Britain, by award-winning journalist Reni Eddo-Lodge In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: 'Why I'm No Longer Talking to White People About Race'. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.
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Praise for A Train in Winter: "A story of stunning courage, generosity and hope...In Moorehead's expert hands it is a triumphant one." (Mail on Sunday). Praise for Village of Secrets: "An uplifting tale of courage and morality." (The Sunday Times). Mussolini was not only ruthless: he was subtle and manipulative. Black-shirted thugs did his dirty work for him: arson, murder, destruction of homes and offices, bribes, intimidation and the forcible administration of castor oil. His opponents - including editors, publishers, union representatives, lawyers and judges - were beaten into submission. But the tide turned in 1924 when his assassins went too far, horror spread across Italy and twenty years of struggle began. Antifascist resistance was born and it would end only with Mussolini's death in 1945. Among those whose disgust hardened into bold and uncompromising resistance was a family from Florence: Amelia, Carlo and Nello Rosselli. Caroline Moorehead's research into the Rossellis struck gold. She has drawn on letters and diaries never previously translated into English to reveal - in all its intimacy - a family driven by loyalty, duty and courage, yet susceptible to all the self-doubt and fear that humans are prey to. Readers are drawn into the lives of this remarkable family - and their loves, their loyalties, their laughter and their ultimate sacrifice.
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The momentous new book from the Pulitzer Prize-winning author of Gulag and Iron Curtain. In 1932-33, nearly four million Ukrainians died of starvation, having been deliberately deprived of food. It is one of the most devastating episodes in the history of the twentieth century. With unprecedented authority and detail, Red Famine investigates how this happened, who was responsible, and what the consequences were. It is the fullest account yet published of these terrible events. The book draws on a mass of archival material and first-hand testimony only available since the end of the Soviet Union, as well as the work of Ukrainian scholars all over the world. It includes accounts of the famine by those who survived it, describing what human beings can do when driven mad by hunger. It shows how the Soviet state ruthlessly used propaganda to turn neighbours against each other in order to expunge supposedly 'anti-revolutionary' elements. It also records the actions of extraordinary individuals who did all they could to relieve the suffering. The famine was rapidly followed by an attack on Ukraine's cultural and political leadership - and then by a denial that it had ever happened at all. Census reports were falsified and memory suppressed. Some western journalists shamelessly swallowed the Soviet line; others bravely rejected it, and were undermined and harassed. The Soviet authorities were determined not only that Ukraine should abandon its national aspirations, but that the country's true history should be buried along with its millions of victims. Red Famine, a triumph of scholarship and human sympathy, is a milestone in the recovery of those memories and that history. At a moment of crisis between Russia and Ukraine, it also shows how far the present is shaped by the past.
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The riveting, powerful and profoundly moving story of the AIDS epidemic and the grass-roots movement of activists, many of them facing their own life-or-death struggles, who grabbed the reins of scientific research to help develop the drugs that turned HIV from a mostly fatal infection to a manageable disease. Around the globe, the 15.8 million people taking anti-AIDS drugs today are alive thanks to their efforts. Not since the publication of Randy Shilts's now classic And the Band Played On in 1987 has a book sought to measure the AIDS plague in such brutally human, intimate, and soaring terms. Weaving together the stories of dozens of individuals, this is an insider's account of a pivotal moment in our history and one that changed the way that medical science is practiced worldwide.
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When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed with soldiers, spies and fugitives. On holidays close to the border on the Black Sea coast, she remembers playing on the beach, only miles from where an electrified fence bristled, its barbs pointing inwards toward the enemy: the holiday-makers, the potential escapees. Today, this densely forested landscape is no longer heavily militarised, but it is scarred by its past. In Border, Kapka Kassabova sets out on a journey to meet the people of this triple border -- Bulgarians, Turks, Greeks, and the latest wave of refugees fleeing conflict further afield. She discovers a region that has been shaped by the successive forces of history: by its own past migration crises, by communism, by two World wars, by the Ottoman Empire, and - older still - by the ancient legacy of myths and legends. As Kapka Kassabova explores this enigmatic region in the company of border guards and treasure hunters, entrepreneurs and botanists, psychic healers and ritual fire-walkers, refugees and smugglers, she traces the physical and psychological borders that criss-cross its villages and mountains, and goes in search of the stories that will unlock its secrets. Border is a sharply observed portrait of a little-known corner of Europe, and a fascinating meditation on the borderlines that exist between countries, between cultures, between people, and within each of us.
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I was told to come alone. I was not to carry any identification, and would have to leave my cell phone, audio recorder, watch, and purse at my hotel ...For her whole life, Souad Mekhennet, a reporter for the Washington Post who was born and educated in Germany, has had to balance the two sides of her upbringing - Muslim and Western. She has also sought to provide a mediating voice between these cultures, which too often misunderstand each other. In this compelling and evocative memoir, we accompany Mekhennet as she journeys behind the lines of jihad, starting in the German neighbourhoods where the 9/11 plotters were radicalised and the Iraqi neighbourhoods where Sunnis and Shia turned against one another, and culminating on the Turkish/Syrian border region where ISIS is a daily presence. In her travels across the Middle East and North Africa, she documents her chilling run-ins with various intelligence services and shows why the Arab Spring never lived up to its promise. She then returns to Europe, first in London, where she uncovers the identity of the notorious ISIS executioner 'Jihadi John', and then in France, Belgium and her native Germany, where terror has come to the heart of Western civilisation. Mekhennet's background has given her unique access to some of the world's most wanted men, who generally refuse to speak to Western journalists. She is not afraid to face personal danger to reach out to individuals in the inner circles of Al Qaeda, the Taliban, ISIS and their affiliates; when she is told to come alone to an interview, she never knows what awaits at her destination. Souad Mekhennet is an ideal guide to introduce us to the human beings behind the ominous headlines, as she shares her transformative journey with us. Hers is a story you will not soon forget.
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Edward Lear's poems follow and break the rules. They abide by the logic of syntax, the linking of rhyme and the dance of rhythm, and these "Nonsenses" are full of joy - yet set against darkness. Where do these human-like animals and birds and these odd adventures - some gentle, some violent, some musical, some wild - come from? His many drawings that accompany his verse are almost hyper-real, as if he wants to free the creatures from the page. They exist nowhere else in literature, springing only from Lear's imagination. Lear lived all his life on the borders of rules and structures, of disciplines and desires. He vowed to ignore politics yet trembled with passionate sympathies. He depended on patrons and moved in establishment circles, yet he never belonged among them and mocked imperial attitudes. He loved men yet dreamed of marriage - but remained, it seems, celibate, wrapped in himself. Even in his family he was marginal, at once accepted and rejected. Surrounded by friends, he was alone. If we follow him across land and sea - to Italy, Greece and Albania, to The Levant and Egypt and India - and to the borderlands of spirit and self, art and desire, can we see, in the end, if the nonsense makes sense? This is what Jenny Uglow has set sail to find out.
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