Pop Art Books

  • AUCWF
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    Pop Art by the BBC's Alastair Sooke - an essential but snappy new guide to our favourite art movement. Pop Art is the most important 20th-century art movement. It brought Modernism to the masses, making art sexy and fun with coke cans and comics. Today, in our age of selfies and social networking, we are still living in a world defined by Pop. Full of brand new interviews and research, Sooke describes the great works by Warhol, Lichtenstein and other key figures, but also re-examines the movement for the 21st century and asks if it is still art? He reveals a global story, tracing Pop's surprising origins in 19th-century Paris to uncovering the forgotten female artists of the 1960s. "A clear and lively outline of the history of pop art ...a pleasure to read." (Sunday Times).
  • AWGQN
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    A lively and accessible introduction to the life and work of Robert Rauschenberg (1925-2008), one of the most inventive and influential artists of the post-war period. An important influence on Pop artists in the 1960s, Rauschenberg worked across a variety of media - painting, drawing, photography, sculpture, silkscreen, lithography, and performance - and actively collaborated with musicians, choreographers and dancers, and with engineers and scientists to pursue the potentials offered by new technologies. Part of the Tate Introduction series, this book offers a concise and engaging account of Rauschenberg's life, his art, and the ongoing debates concerning his significance.
  • AWXIS
    • £38.00
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    Eduardo Paolozzi (1924-2005) was one of the most innovative and irreverent British artists of the 20th century. Considered the 'god-father of Pop Art', his powerful collages, sculptures and prints pushed against artistic convention from the 1950s 'Geometry of Fear' all the way through the Swinging Sixties and on to the advent of 'Cool Britannia'.Accompanying the first major exhibition of Paolozzi's art since 1975, this publication presents a comprehensive overview of Paolozzi's work from the 1940s to the 1990s, re-assessing one of the most dynamic, versatile and pugilistic artists from Britain and highlighting the relevance of his work for artists today.As well as entries on more than 100 works and a full bibliography, the book presents new approaches to Paolozzi by critics Hal Foster and Jon Wood (Henry Moore Foundation), and by the contemporary Mexican artist Mariana Castillo Deball; new research and comment by Beth Williamson (University of Bristol), Lisa Maddigan Newby (University of East Anglia) and Dawn Ades; adiscussion on Paolozzi's public sculpture with Turner Prize winners Assemble; and a reprint of a brilliant 1971conversation between Paolozzi and the novelist J.G.Ballard.
  • AYOML
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    Pop art is one of the most pivotal movements in modern art. It challenged the conventional idea of fine art and recognised the pervasive nature of materialism and consumerism that had taken over 20th century society. This beautifully illustrated book explores Pop art's origins in modern European avant-garde movements such as Cubism and Dadaism, prior to its true beginnings in early 1950's London with the Independent Group and their fascination with American popular culture - leading to the name "Pop". Guiding the reader through the work of some of the most well-known practitioners, such as Warhol and Lichtenstein, this compelling book also travels the world to examine how Pop art influenced artists as far afield as Italy, Spain, Finland, Japan, Australia and New Zealand. Key figures include Japan's Yayoi Kusama and Italy's Mimmo Rotella. POP! The World of Pop Art explains how - and why - this movement appealed to so many diverse artists on so many levels, including often overlooked female artists who were central to the Pop art scene. Finally, POP! considers the influence of Pop art on other genres, in particular as the precursor to post-modernism and contemporary forms of art. With 15 faithfully reproduced documents, including items from the studios of a number of artists, POP! The World of Pop Art gives a unique insight into this celebrated movement.
  • BAUJA
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    Soup cans and Whaam! The makers and shapers of Pop Art Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork.Pop artists primary provocation was to defy ideas of the artistic canon or originality by integratingmass market imageryinto their works. Whetheradvertising slogans, famed Hollywood faces, comic strip style characters, or the packaging of consumer products, the likes of Robert Rauschenberg, Claes Oldenburg, Andy Warhol, and Roy Lichtenstein knowingly reproduced mundane, everyday images from popular culture.At the same time, Pop Art reduced the role of the individual and challenged the notion of originality by deploying mass production techniques such as screen printing. Like a hall of mirrors, the resulting works came to interrogate both the ideas and desires of contemporary culture, and its state of simulacra, whereby images, substitutes, and representations come to define the experience of reality .In this book, Tilman Osterwold explores the styles, sources, and stars of the Pop Art phenomenon. From Lichtenstein s comic book aesthetics to Warhol s images of Marilyn, it explores how a movement that interrogated the icons of its time came to produce icons of its own. "
  • BDBKU
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    When it emerged in the 1950s, the Pop Art movement presented a challenge to fine art with its incorporation of images from television, newspapers, and advertising. Artists used humor, provocation, and garish gestures to help dissolve the barriers between high and low culture. Over time, Pop Art developed into one of the most influential movements of the 20th century and many of its works have achieved iconic status. This introduction to Pop Art focuses on fifty of the movement's most important works, and covers every major artist of the style, including David Hockney, Robert Indiana, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Robert Indiana, Claes Oldenburg, Ed Ruscha and Andy Warhol. Each work is featured on a beautifully illustrated double-page spread. An informative text highlights the work's classic characteristics as well as unusual aspects, its significance in the Pop Art movement and its influence on the history of contemporary art, and art in general. Including brief biographies of each artist, this book is a beautifully illustrated survey of Pop Art.
  • BDLIN
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    This is the first monograph on the Belgian Pop-art artist Evelyne Axell. It illustrates both her art and her life, characterised by the sexual liberation of women in the sixties. After a successful career as an actress, Axell started making collages and oil paintings. From 1966 she began having exhibitions, showing self portraits, erotomobiles and works with an erotic and feminist character. Accompanies an exhibition in the Abteiberg Museum in Monchengladbach in Germany from July 3rd until October 3rd 2011.
  • BEZSU
    • £7.16
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    The perfect gift for Hockney fans and dog lovers everywhere, "David Hockney's Dog Days", now in a gift edition, is an album devoted to two of the artist's closest friends, his dachshunds Stanley and Boodgie. This beautiful and engaging book includes almost all of Hockney's paintings and drawings of his two companions, dozens of new illustrations created specially for this book, and a text by the artist himself.
  • BFKOV
    Hal Foster
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    From the late 1950s to the late 1960s the word Pop described art, film, photography and architectural design which engaged with the new realities of mass production and the mass media. Unlike books which present Pop art in isolation, this is a comprehensive survey of Pop in all its forms across America, Britain and Europe. In addition to the key artworks by Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Ed Ruscha, Richard Hamilton, Sigmar Polke, Martial Raysse and many others the book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as Pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas. Editor Mark Francis was former Founding Director of the Andy Warhol Museum and editor of 'Les Annees Pop' (Centre Georges Pompidou, 2001). Survey author Hal Foster is Professor of Art at Princeton University, author of The Return of the Real and editor of the bestselling The Anti-Aesthetic: Essays on Postmodern Culture and Recodings: Art, Spectacle, Cultural Politics.
  • ADRAE
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    Pop art is one of the most recognisable, and recent artistic movements in art history. 'Pop Art' explores the most important works and artists of this explosive movement, and reminds us of its impact on the world today, and argues for its status as an ongoing movement. Leading academic, Bradford R. Collins' insightful text places Pop art within it's cultural context, and is illustrated with works by Andy Warhol , Roy Lichtenstein, David Hockney, Ed Ruscha, Claes Oldenburg, Robert Indiana, James Rosenquist and Tom Wessleman amongst others.
  • AFLVJ
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    This petit, whimsical collection of work from pop icon Andy Warhol pre-dates his more famous paintings and prints. These charming and relatively unknown experiments, in commercial illustration were created between 1950 and 1960. Fanciful, vibrant and bold, Warhol's early drawings of fashion, animals, food and cherubs display the signature bright colours, distinctiveness of line and repetition of unexpected images that would spark a Pop art revolution.
  • AFXAZ
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    Lively, informative and entertaining, this is an account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his "Blam-Pow" comics panels, Andy Warhol, shy, shrewd and tough as nails, and the power couple of Leo Castelli and Ileana Sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him "vulgar"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others. While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement "set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed." Rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters.
  • AHHOG
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    Mass culture, popular taste, and kitsch-previously considered outside the limits of fine art-were the inspiration for and provocative themes of Pop Art, a movement that enjoyed great prominence in the late 1950s and 1960s. Rejecting the idea that art and life should be separated, artists in both the United States and Britain-among them Roy Lichtenstein, James Rosenquist, Andy Warhol, Peter Blake, and Richard Hamilton-used mass-produced objects and photographic images to make a blatant connection between art and the postwar world of consumerism.
    This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience.
  • AJPKS
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    Andy Warhol, the iconic Pop artist, presented himself as the vacuous, dumb kid, famously saying, 'If you want to know all about Andy Warhol, just look at the surface of my paintings and there I am. There's nothing behind it.' This book penetrates the surface and explores Warhols art from his beginnings as a commercial artist to his apotheosis as a society portrait painter. Vivid illustrations reveal Andys worlds: his childhood in Pittsburgh, his chaotic Manhattan mansion and the Silver Factory, where New Yorks bright new things hung out and had fun. Series writer Catherine Ingram brings her extensive knowledge to the book, while specially commissioned illustrations by Andrew Rae vividly portray the text.
  • ALWFF
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    Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book.
  • AOXXW
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    The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East. From the late 1950s onwards, numerous artists and movements with a Pop aesthetic developed throughout these continents, including Nouveau realisme, Neo Dada, New Figuration, Equipo Cronica, and Cronica de la Realidad and Saqqakhaneh or Spiritual Pop, as well as such singular figures as Oyvind Fahlstrom, Keiichi Tanaami, and Erro. These artists and movements differed from one another due to their geographies as much as to their exposure to centralised or marginal cultural manifestations, and they were informed by their respective traditions, social and political movements. This unique book offers an opportunity to examine the origins and socio-political side of Pop, including pop and the political representation; pop and the new sexual politics; pop and the mass; seriality, distribution and the role of print production.Featuring six newly-commissioned essays from a wide range of international contributors, and produced in close collaboration with the artists involved, The World Goes Pop is the first book to rely on primary sources to re-evaluate Pop art throughout the globe.
  • APDYG
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    Pop artists of the 1960s, heralded by the Great Andy Warhol, commented on everything from mainstream media to consumer society to advertising to product packaging with colorful and often comical works. Pop Art's profound influence on contemporary art and culture remains prominent today. Nowhere else can you find so much Pop Art in such a compact, stylish book! Featured artists include: Tom Wesselmann, Andy Warhol, James Rosenquist, Allan Jones, Allan d'Arcangelo, Wayne Thiebaud, Peter Blake, Richard Hamilton, Claes Oldenburg, Peter Phillips, George Segal, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Mel Ramos, David Hockney, Jim Dine, and Red Grooms.
  • BGKLJ
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    Dealing with the power of artistic gesture, each work, presented here in stunning colour, features a blue glass gazing ball that sits on a painted aluminum shelf attached to the front of the painting that reflects both the painting and the viewer. Through the simple act of placing a gazing ball in front of the images, painting and sculpture are reunited for maximum sensory perception.
  • BKJZC
    Ruba Katrib
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    Erro, Iceland s most prominent painter, receives long overdue critical attention for his contributions to international Pop, late Surrealism, and contemporary figurative painting in this sumptuous monograph. Since introducing exclusively source-image-based painted collage to the European Pop movement in 1959, Erro has produced an influential body of work mining cartoons and art history on canvases marked by political satire and his own cheerfully dystopian observations of human nature. Prescient and timely, Erro s paintings are marked by a voracious consumption of imagery synthesizing a hallucinatory vision of contemporary visual culture. Often compared to Andy Warhol, James Rosenquist, and Roy Lichtenstein, Erro s multifigure narratives, refusal to commit to a singular style, and obsession with cartoons set his practice apart. An essay by Ruba Katrib connects Erro to today s figurative-painting practices, and a chronology by Danielle Kvaran traces his wild figurations of history and subjects, ranging from Winston Churchill to contemporary music icons. Newly photographed details and a concentration on Erro s canvases of the last ten years offer a fresh perspective to his European audience and a welcome introduction for his American one.
  • BQVRD
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    Richard Bernstein, a fixture at Studio 54 and with fashion and art insiders, captured the allure of the disco era through his iconic hyper-coloured graphic portraits of superstars for the covers of Andy Warhol s Interview magazine. Warhol s influence on Bernstein s bold, playful, and graphic artwork is evident, and it was often thought that Warhol created the covers himself. Yet it was Bernstein, an American artist and art director, whose distinctive craft of retouching photographs with pastels, stencils, and airbrushing monumentalized his subjects into dazzling pop-art incarnations sexy, captivating, and forever young. The book features his legendary Interview covers of Madonna, Grace Jones, Mick Jagger, Cher, Calvin Klein, Michael Jackson, and Aretha Franklin, and Bernstein s rarely seen fine artwork, album covers, and editorial work for Time, Vogue Italia, New York Magazine, and Playboy, complete with intimate anecdotes and interviews with his closest friends and collaborators. This volume is an essential addition to any fashion, pop culture, style, or art lover s library.
  • BNXWQ
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    Natasha Fraser-Cavassoni recounts her experience working in Andy Warhol's Studio, and explores Warhol's influence - during his life and forever after - on the art world, pop culture, society, and fashion, and how his iconic status gave rise to some of our most influential tastemakers today. From the behind-the-scenes conflict and disagreements over his personal possessions and art inventory, to the record-breaking auction of his belongings and publication of his diaries, Fraser-Cavassoni had a front seat.
  • BQBCS
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    Artist Jason Mecier creates insanely detailed portraits of celebrities using trash, candy, and other items, crafting sculptural celebrations as beautiful as they are outrageous. Here is Amy Sedaris assembled from her own trash, David Bowie made out of cosmetics and feathers, Snoop Dogg sculpted out of weed, Justin Timberlake and Miley Cyrus crafted out of candy, Kevin Bacon bespoke in bacon, and many, many more. Fun process shots offer behind-thescenes insights into the meticulous work required to create these candy-colored-and literally trashy-spotlights (how much licorice does it take to make Harry Potter?). With mesmerizing tributes to icons ranging from Stevie Nicks to Farrah Fawcett to Honey Boo Boo, this gallery of the famous and infamous is a visual treat for fans of pop culture and pop art alike.
  • BHLMM
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    To the general public, Andy Warhol is known as a painter of famous faces, from Liz and Marilyn and Jackie and Marlon to his own ever-changing self-portrait. Less known are the portraits he made throughout his career of socialites, art dealers, collectors, politicians, and a variety of contemporary cult figures, mostly commissioned work that helped finance Warhol's many other artistic activities. This book is the first to provide a comprehensive overview of Warhol's many portraits, including well-known icons as well as many works largely unknown even by avid Warhol followers. Included are more than 300 portraits made by Warhol from the early 1960s until his death in 1987, assembled as a face-book of the amazing cast of characters that populated Warhol's fascinating, star-studded, and, at times, sordid world. As Warhol said, "I think everybody is my friend." Included in this book is an introduction by gallerist Tony Shafrazi, who has a long history with the work of Andy Warhol, and essays by Warhol experts, established art historians, and critics Carter Ratcliff and Robert Rosenblum, who lend insight into one of the least fully known but nevertheless prolific aspects of Warhol's endlessly fascinating career.
  • BNGPV
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    Martin Sharp's art was as singular as his style. He blurred the boundaries of high art and low with images of Dylan, Hendrix and naked flower children that defined an era. Along the way the irreverent Australian was charged with obscenity and collaborated with Eric Clapton as he drew rock stars and reprobates into his world.In this richly told and beautifully written biography, Joyce Morgan captures the loneliness of a privileged childhood, the heady days of the underground magazine Oz as well as the exuberant creativity of Swinging London and beyond.Sharp pursued his quixotic dream to realise van Gogh's Yellow House in Australia. He obsessively championed eccentric singer Tiny Tim and was haunted by Sydney's Luna Park. Charismatic and paradoxical, he became a recluse whose phone never stopped ringing.There was no one like Martin Sharp. When he died, he was described as a stranger in a strange land who left behind a trail of stardust.