Art Treatments & Subjects Books

  • ARLW
    • £9.99
    • RRP £25.00
    • Save £15.01Save 60%
    Learn all about the stories behind 80 of the world's favourite artists and their masterpieces with this incredibly lavish gift book. It talks about artists ranging from Vincent van Gogh and Rembrandt to Andy Warhol and Anish Kapoor and examines their works, influences, developments, friendships, loves and rivalries.

    From Holbein's matchmaking portraits for Henry VIII to Caravaggio's thuggish reactions to a badly cooked artichoke and the romantic affairs of Picasso, this book contains so many lavishly illustrated biographies of incredible artists and looks at the unique techniques, artworks and personalities that made them so legendary.

    An amazing book for art lovers of all ages, this book provides a fascinating overview of so many influential artists in a handy timeline.
  • Miller's Art Deco - Hardback - 9781784721060 - Judith Miller
    MLAD
    (1)
    • £5.99
    • RRP £30.00
    • Save £24.01Save 80%
    Art Deco is one of the most iconic and impressive design styles of all time and this book provides a celebration of the glamour of the Jazz Age.

    Classic yet contemporary, Art Deco remains a popular theme today and this stylish book looks at how designers and craftsmen used natural and man-made materials in innovative ways to produce the elegant pieces that defined the 1920s and 1930s.

    Judith Miller, an antiques expert, explores the key makers and pieces from the Art Deco era and explains what you should be looking for as a collector. From furniture to sculptures and prints to rugs, it's illustrated with over 700 stunning photographs.
  • AXDZW
    • £10.39
    • RRP £12.99
    • Save £2.60Save 20%
    Welcome to the creative kingdom of artist Michelle Waldie, where beloved animals become magnificent geometric wonders to color. This fresh new coloring book renders foxes, birds, hedgehogs, and more with a prismatic look that makes them as cool to display as they are pleasing to color. With just the right level of detail, these unique designs can easily be completed in one sitting if so desired, but those who want a more involved coloring session can opt for a 3-dimensional look and make these animals leap off the page. Plus, designs print single-sided, and the pages are easily removable for sharing and display. Whimsical and fun, Crystal Menagerie sets the imagination running wild and will bring coloring fans hours of immersive creative relaxation."
  • BAATX
    • £32.29
    • RRP £33.99
    • Save £1.70Save 5%
    Through 349 images, celebrate America in all her glory. Whether it's a piece to hang on a wall, to be worn, or for marketing propaganda, see how sixty-four artists have represented the American flag and other patriotic symbols in their work. The American flag is an iconic image that inspires many, but it has also become a complex and controversial symbol since Congress first adopted it on June 14, 1777. These artists share not only their work but also the inspiration behind the pieces. Whether it's paying homage to a lost generation, remembering 9/11, or simply celebrating American pride, the various cultural and political viewpoints that define the country today are expressed through a variety of art forms-from watercolor paintings to crazy quilts, from oils to matchboxes, and from mixed media to digital. Let these images inspire you.
  • Antiques Roadshow: 40 Years of Great Finds - Hardback - 9780008267636 - Paul Atterbury
    TIQU
    (1)
    • £5.99
    • RRP £20.00
    • Save £14.01Save 70%
    The Antiques Roadshow has been a staple of BBC television for 40 years now and is fully deserving of its status as a national institution. This coffee table book celebrates the most incredible finds and stories from the flagship show.

    Paul Atterbury and Marc Allum look back at some of the quintessential moments from the history of the show, revealing hidden secrets and celebrating some of the timeless and priceless finds including 23 original Beatrix Potter drawings, a poignant letter written by a doomed passenger on the Titanic and Marc Bolan of '70s glam rockers T. Rex's Flying V Gibson guitar.

    Beautifully illustrated with stunning photographs throughout, this hardback is a wonderful keepsake of the enduring show's extraordinary objects (including paintings, merchandise and tools) and most memorable moments.
  • AHXCO
    • £18.89
    • RRP £19.99
    • Save £1.10Save 5%
    In a world where we can find information, images, documentation, opinions on almost anything, we assume that modern works of art are easily preserved; that their whereabouts can be readily established thanks to sophisticated documentation systems; and that in general they are not subject to loss or destruction. But many important works have disappeared over the last century in a variety of ways including war, theft, natural catastrophe and carelessness. Most significantly, loss itself has been a major theme within modern and contemporary art, with elements of transience central to the practice of many well known figures. Grouped into ten sections - Discarded, Missing, Rejected, Attacked, Destroyed, Erased, Ephemeral, Transient, Unrealised and Stolen - this unique survey includes forty case studies looking at the stories behind lost works of art, ranging from the shunning of Epstein's British Medical Association sculptures in 1908, to Michael Landy's 2001 project Break Down, where he systematically destroyed every one of his possessions.
  • ABHZK 7 years +
    7 years +
    • £8.89
    • RRP £8.95
    How to Be the Best Bubblewriter in the World, Ever! shows you how to create your own hand-drawn alphabets. The book contains over 40 typefaces, inspired by everything from hairy monsters to clouds, ribbons to robots. Each double page spread contains both the alphabet and an illustration which brings it to life. The book is printed on thick matt paper which will allow you to interact with the book using pencil or pen. Also included are a host of guided activity pages with which you can decorate a ready-to-post letter card, write friendship notes and cards and fill in party invitations. There's even a cartoon strip to draw. This book is designed to stimulate the creative minds of children of all ages.
  • AMILZ
    • £15.89
    • RRP £19.95
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    The Curators Handbook is the essential practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian, interpreter, educator, facilitator and organizer. Twelve chapters then chart the various stages of the exhibition process in invaluable detail and clear, informative language from initial concept to writing contracts and loan requests, putting together budgets and schedules, producing exhibition catalogues and interpretation materials, designing gallery spaces, working with artists, lenders and art handlers, organizing private views, and documenting and evaluating a show. A distinguished cast of international museum directors and curators offer advice and tips.
  • BCYLO
    • £33.89
    • RRP £34.00
    For the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time. In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. "Statements and Letters" address broad themes of aesthetic philosophy, politics, and art historical commitments. "Projects" consider specific artworks or exhibitions. "Interviews" capture the artist in dialogue with Benjamin Buchloh, Jacques Ranciere, and others. Throughout, certain continuities emerge: Hirschhorn's commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im offentlichen Raum 1998--1989, an out-of-print catalog of Hirschhorn's earliest works in public space.
  • BBJMT
    • £29.89
    • RRP £30.00
    Paintings from the Indian subcontinent bedazzle the viewer with their minute details, colours and aesthetic qualities. Relatively modest in size, they often illustrate historical events, religious texts and poetry, or document life at court. Painted with watersolved pigments on paper, they invite closer observation and allow insight into the artistic traditions of India. "A Secret Garden" is the name of an outstanding private collection of Indian paintings. It comprises works spanning seven centuries from the time of the Sultans (1206-1526) through to the nineteenth century. This new book features a selection of 105 artworks from Danielle Porret's collection. Each entry provides a stylistic analysis of the painting as well as a discussion of the subject matter by leading experts in the field of Indian painting. Museum Rietberg Zurich is one of Europe's leading museums for non-European art.
  • ACNNH
    • £29.89
    PANTONE, the worldwide colour authority, invites you on a rich visual tour of one hundred transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime PANTONE collaborators and colour gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products and fashion and carefully match them with official PANTONE palettes to reveal the trends, radical shifts, and resurgences of various hues..
  • BAFLL
    • £24.00
    • RRP £30.00
    • Save £6.00Save 20%
    Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and pracrical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.
  • BDAOM
    • £11.99
    • RRP £14.99
    • Save £3.00Save 20%
    J.M.W. Turner is probably the greatest painter Britain has ever produced. Both profoundly original and astonishingly prolific, he helped transform landscape painting into an expressive art form of enormous range and power. This book reveals the extent to which Turner wanted his paintings to communicate intellectually as well as emotionally; and how intensely involved he was with the culture of his times, using landscape as a vehicle for the deepest ruminations on society, politics and the human condition. Sam Smiles discusses and illustrates the whole range of Turner's work, tracking his career from the 1790s to the 1840s, exploring the themes that motivated him, and explaining his importance to subsequent generations.
  • BBJFY
    • £14.20
    • RRP £14.95
    • Save £0.75Save 5%
    Ceramics and Pop Art sit in these pages alongside magic lanterns, demarcating the early origins of cinema, before moving on to an exploration of new technologies. Documenting four unique exhibitions at the Whitechapel Gallery over the course of a year, this publication includes newly commissioned texts exploring the complexity of collecting, exhibiting and curating in England today. With contributions from: Anna Colin, Matthew Darbyshire, Helen Kaplinsky, Helen Rees Leahy, Ingrid Swenson and Gaia Tedone.
  • ACUYL
    • £9.89
    • RRP £9.95
    This concise and accessible survey, the latest title in Thames & Hudsons renowned "World of Art" series, is set to become the definitive popular guide to graffiti and street art. The traditional letter-based graffiti that appeared on the streets of Philadelphia and New York over forty years ago launched a global art movement that has evolved into two distinct disciplines. While both thrive illegally and challenge the concept of public space, the new wave of street art puts greater emphasis on figures, abstraction, symbols and formal techniques. This book explains the terms and language of graffiti and street art from tags and throwies to culture jamming and subvertising as well as their multiple influences and sub-genres. Organized thematically, it traces the origins and evolution of graffiti and street art, and explores the motivations and practices of the leading exponents; the relationship between these art forms and the urban environment; their interactions with (or rejection of) the market and the world of commercial galleries; and, their increasingly important role in visual culture as a whole.
  • AYTLG
    • £19.96
    • RRP £24.95
    • Save £4.99Save 19%
    Today's artists have an unprecedented level of choice with regard to materials and methods available to them, yet the processes involved in making artworks are rarely addressed in books or exhibitions on art. Here, Glenn Adamson and Julia Bryan-Wilson argue that the materials and methods used to make artworks hold the key to artists' motivations, their attitudes to authorship, uniqueness and the value of objects, the economic and social contexts from which they emerge, and their approach to the perceived opposition between materiality and conceptualism in art. The book's introduction sets out a history of trends in artistic production and the possible catalysts for the proliferation of production strategies since the mid-twentieth century, followed by nine chapters that explore different methods and media. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of each technique or material and its overall effect when presented as an artwork. Artists featured include Ai Weiwei, Ron Arad, Chris Burden, Katharina Fritsch, Isa Genzken, Jeff Koons, Los Carpinteros, Haroon Mirza, Takashi Murakami, Gerhard Richter, Doris Salcedo and Santiago Sierra.
  • ADLWX
    • £16.49
    • RRP £19.95
    • Save £3.46Save 17%
    Can an artist claim that an object is a work of art if it has been made for him or her by someone else? If so, who is the author of such a work? And just what is the difference between a work of art and a work of craft? New in paperback, this is the first book to highlight and explore the way artists collaborate with artisans and craftspeople to realise their work. "The Art of Not Making" tackles, explores the concepts of authorship, artistic originality, skill, craftsmanship and the creative act, and highlighting the vital role that skills from craft and industrial production play in creating some of today's most innovative and highly sought-after works of art. The book analyses hundreds of artworks by the most important international artists, including Chris Burden, Louise Bourgeois, Matthew Barney, Grayson Perry, Mona Hatoum, Ai Weiwei, Daniel Buren, Carsten Holler, Mark Wallinger, Kiki Smith, Fred Wilson, Pae White, Tony Cragg, Roni Horn, Liam Gillick, Sherrie Levine, Ugo Rondionone, Subodh Gupta, Kara Walker and Maurizio Cattelan. "Enjoyable Petry clearly knows his stuff". ("Art Quarterly Timely"). "...Petry has identified a significant art world trend". ("The Art Newspaper"). "Glorious". ("Harper's Bazaar"). "A handsome volume ...provides pause for thought, and should be commended for drawing attention to the ideas of collaboration". ("Ceramic Review"). "Refreshingly fun to read and look at". ("State of Art"). "The arguments presented in this glossy erudite art book are bold, intriguing ...beautiful". ((GT) "Gay Times").
  • BBQAI
    • £16.19
    • RRP £16.95
    • Save £0.76Save 4%
    This anthology provides a multivocal critique of exhibitions of contemporary art, bringing together the writings of artists, curators and theorists. Collectively these diverse perspectives are united by the notion that if the focus for modernist discussion was individual works of art, it is the exhibition that is the prime cultural carrier of contemporaneity. The texts encompass exhibition design and form; exhibitions that are object-based, live or discursive; projects that no longer rely on a physical space to be visited in person; artists' responses to being curated, and their reflections on the potential of acting curatorially. Set against the rise of the curator as an influential force in the contemporary art world, this volume underlines the crucial role of artists in questioning and shaping the phenomenon of the exhibition.
  • BBPGL
    • £10.89
    • RRP £10.99
    Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism. The government's activities were mirrored by the establishment of dozens of voluntary bodies, including the Council for the Protection of Rural England, the Society for the Protection of Ancient Buildings, and the National Trust. Men from the Ministry sets all this activity, for the first time, in its political, economic and cultural contexts, painting a picture of a country traumatized by war, fearful of losing what was left of its history, and a government that actively set out to protect them. It dissects a government program that established a modern state on deep historical and rural roots.
  • AETWQ
    • £12.89
    • RRP £12.99
    Following on from his successful Drawing Geometry, Jon Allen explores the creation of the many-sided three-dimensional forms known as the Platonic and Archimedean solids. Based on patterns of equally spaced points on a sphere, these polyhedra have been the fundamentals of geometric exploration for millennia. Many professionals find they need to be able to build three-dimensional shapes accurately, and understand the principles behind them. This unique book shows them how to make models of all the Platonic and Archimedean solids, as well as several other polyhedra and stellated forms. It provides step-by-step instructions for constructing the three-dimensional forms, as well as showing how to draw out accurately the geometry of the paperfold nets. Beginners and experienced artists and designers alike will find this book a source of practical guidance, as well as delight and inspiration which will amply repay the careful attention needed to construct the models.
  • AEXQX
    • £19.89
    • RRP £24.99
    • Save £5.10Save 20%
    Taking a practical approach to colour, "Colour: A Workshop for Artists and Designers" is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between colour theory and practice to inspire confidence and understanding in anyone who works with colour. This second edition has been carefully reviewed and revised throughout. Presented in a new larger format, it includes much-enhanced sections on key colour principles such as colour perception, visual structure, materials and techniques, psychological experience of colour, and colour composition in digital formats. Generously illustrated including all-new, contemporary examples, this book provides a unique set of tools that make the complex theory of colour accessible and practical.
  • AZUWB
    • £13.99
    Of all the French cultural exports over the last 150 years or so, 'pataphysics -- the science of imaginary solutions and the laws governing exceptions -- has proven to be one of the most durable. Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Prevert, Antonin Artaud, Rene Clair, the Marx Brothers, Joan Miro, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.
  • BCPHV
    • £18.39
    • RRP £22.99
    • Save £4.60Save 20%
    It occupies 72% of the surface of our planet, yet the depths of our oceans are less known to us than the Solar System: 90% remains unexplored. The deep, like outer space, has been a locus for science fiction since Jules Verne, with both the ocean and space giving rise to imaginary aliens, mutants and monsters. But there is one crucial distinction: the ocean and our species belong to the same planet, and by extension the deep is a part of us. Aquatopia is a transhistorical, transcultural voyage through the oceanic imaginary via contemporary and historical art works and objects which cross continents, centuries, schools and movements. Aquatic literary classics like The Odyssey, The Tempest, The Rhyme of the Ancient Mariner, Moby Dick and 20,000 Leagues Under the Sea recur in this exploration, sometimes filtered through their modern and contemporary prodigy, e.g. Jean Rhys' Wide Sargasso Sea and Derek Walcott's Omeros. Other, non-fictional texts by writers such as Philip Hoare and Marina Warner also guide the way. The publication will be a cross-disciplinary exploration of the aquatic imaginary, encompassing literature, maritime and cultural history, psychoanalysis, post-colonial and feminist theory, and including work by artists as diverse as J.M.W. Turner, Carol Bove, Marcel Broodthaers, Spartacus Chetwynd, Peter Doig, Rene Magritte, Eric Ravillious and Juergen Teller.
  • AZURY
    • £20.89
    The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath Laszlo Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.