Exhibition Catalogues & Specific Collections
The Antiques Roadshow has been a staple of BBC television for 40 years now and is fully deserving of its status as a national institution. This coffee table book celebrates the most incredible finds and stories from the flagship show.
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Paul Atterbury and Marc Allum look back at some of the quintessential moments from the history of the show, revealing hidden secrets and celebrating some of the timeless and priceless finds including 23 original Beatrix Potter drawings, a poignant letter written by a doomed passenger on the Titanic and Marc Bolan of '70s glam rockers T. Rex's Flying V Gibson guitar.
Beautifully illustrated with stunning photographs throughout, this hardback is a wonderful keepsake of the enduring show's extraordinary objects (including paintings, merchandise and tools) and most memorable moments.
Paintings from the Indian subcontinent bedazzle the viewer with their minute details, colours and aesthetic qualities. Relatively modest in size, they often illustrate historical events, religious texts and poetry, or document life at court. Painted with watersolved pigments on paper, they invite closer observation and allow insight into the artistic traditions of India. "A Secret Garden" is the name of an outstanding private collection of Indian paintings. It comprises works spanning seven centuries from the time of the Sultans (1206-1526) through to the nineteenth century. This new book features a selection of 105 artworks from Danielle Porret's collection. Each entry provides a stylistic analysis of the painting as well as a discussion of the subject matter by leading experts in the field of Indian painting. Museum Rietberg Zurich is one of Europe's leading museums for non-European art.
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Ceramics and Pop Art sit in these pages alongside magic lanterns, demarcating the early origins of cinema, before moving on to an exploration of new technologies. Documenting four unique exhibitions at the Whitechapel Gallery over the course of a year, this publication includes newly commissioned texts exploring the complexity of collecting, exhibiting and curating in England today. With contributions from: Anna Colin, Matthew Darbyshire, Helen Kaplinsky, Helen Rees Leahy, Ingrid Swenson and Gaia Tedone.
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This anthology provides a multivocal critique of exhibitions of contemporary art, bringing together the writings of artists, curators and theorists. Collectively these diverse perspectives are united by the notion that if the focus for modernist discussion was individual works of art, it is the exhibition that is the prime cultural carrier of contemporaneity. The texts encompass exhibition design and form; exhibitions that are object-based, live or discursive; projects that no longer rely on a physical space to be visited in person; artists' responses to being curated, and their reflections on the potential of acting curatorially. Set against the rise of the curator as an influential force in the contemporary art world, this volume underlines the crucial role of artists in questioning and shaping the phenomenon of the exhibition.
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It occupies 72% of the surface of our planet, yet the depths of our oceans are less known to us than the Solar System: 90% remains unexplored. The deep, like outer space, has been a locus for science fiction since Jules Verne, with both the ocean and space giving rise to imaginary aliens, mutants and monsters. But there is one crucial distinction: the ocean and our species belong to the same planet, and by extension the deep is a part of us. Aquatopia is a transhistorical, transcultural voyage through the oceanic imaginary via contemporary and historical art works and objects which cross continents, centuries, schools and movements. Aquatic literary classics like The Odyssey, The Tempest, The Rhyme of the Ancient Mariner, Moby Dick and 20,000 Leagues Under the Sea recur in this exploration, sometimes filtered through their modern and contemporary prodigy, e.g. Jean Rhys' Wide Sargasso Sea and Derek Walcott's Omeros. Other, non-fictional texts by writers such as Philip Hoare and Marina Warner also guide the way. The publication will be a cross-disciplinary exploration of the aquatic imaginary, encompassing literature, maritime and cultural history, psychoanalysis, post-colonial and feminist theory, and including work by artists as diverse as J.M.W. Turner, Carol Bove, Marcel Broodthaers, Spartacus Chetwynd, Peter Doig, Rene Magritte, Eric Ravillious and Juergen Teller.
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Like many artists, Paul Ce zanne started his great paintings by sketching his ideas on paper. This book recreates some of Ce zanne's sketchbooks as it delves into the Kunstmuseum Basel's collection of drawings by Ce zanne-the most comprehensive and significant collection of the artist's drawings in the world. Rarely presented in exhibitions, these works introduce readers to the nucleus of Ce zanne's creative thinking, allowing us to observe his everyday practice as a draftsman. Scenes of violence appear side by side with portrait sketches; copies after Euge ne Delacroix or ancient sculptures alternate with landscapes and bathers. Repeated studies varying only slightly in perspective and angle help us understand how Ce zanne strove to find the right approach to his subject. Featuring his drawings as well as his great paintings and accompanied by a series of essays that explore how Ce zanne used his sketchbooks as preparation for landscapes, portraits, and still-lifes, this book offers fascinating insights into the creative process of a master.
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This collection of rarely seen masterpieces from The Phillips Collection traces the development of American art from Impressionism to Abstract Expressionism. During the Gilded Age, American artists like Julian Alden Weir, John Henry Twachtman, Ernest Lawson, and others developed landscape paintings which set the course for modern art in America. Revelations such as these are common within the pages of this book, which examines Duncan Phillips's interest in collecting and his promotion of living artists. Including essays by European and American experts, this publication of 68 works by 50 artists presents paintings by Maurice Prendergast, Arthur Dove, John Marin, Georgia O'Keeffe, Helen Frankenthaler, Robert Motherwell, Jackson Pollock, Charles Sheeler, Winslow Homer, Marsden Hartley, and Richard Diebenkorn. Together these magnificent works tell the tale of a nation and artistic expression growing in confidence and diversity.
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Gustav Klimt's 1907 publication of his illustrated edition of Lucian's ancient work Dialogues of the Courtesans was the first time he exhibited his erotic art to the public, and it led to his denouncement by censors disturbed by the work's graphic content. This volume revives Klimt's masterful book, which pairs his erotic drawings with Wiener Werksta tte design, and which arguably resulted in the Art Nouveau era's most beautiful book. Klimt and Antiquity also compares the red- and black- figure Attic vases dating from the 5th century with Klimt's art. It presents Klimt's antiquity-inspired art as a dialogue between contemporary and ancient art, between genders, and between women's roles in times of antiquity and modernity. Essays explore Klimt's interest in ancient art; the ancient role of the courtesan; and the phenomenon of the Greek symposium as fertile ground for Greek art.
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A leading figure in contemporary art, Roni Horn addresses wide- ranging issues such as nature, ecology, identity, landscape, and language. Her sculptures, drawings, photographs, and installations intermingle material and context, aiming to complicate the relationships among object, subject, and viewer. This two-volume catalogue features works such as Ant Farm, a living colony of ants sealed between two panes of glass; Pink Tons, a four-ton cube of casted pink glass; and Gold Field, a sheet of pure, annealed gold that measures a fraction of a millimeter thick. Also included are an engaging essay by artist Gary Indiana; a photo-essay by Jerry Gorovoy, Director of the Easton Foundation; and a personal statement by the artist.
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By documenting and guiding us on the journeys we make every day, maps influence the way we navigate and identify with our surroundings. The Underground, London Transport, and its successor Transport for London have produced and inspired maps which are navigational, decorative forms of publicity and works of art. This book, which draws on the rich collections of the London Transport Museum, sets out to explore this unique form of visual communication. Covering the period from 1900 to the present day, Claire Dobbin's fascinating narrative provides a chronological account of the mapping of London's Underground. Starting with the magnificent early twentieth-century decorative maps of Macdonald Gill, the evolution of London's diagrammatic Underground map, introduced by Harry Beck's iconic 1931 design, is expertly told. The legacy of Beck's inspiring design is highlighted through selected maps, artworks, posters and merchandise. Incorporating design, art, cartographic, social and transport history, London Underground Maps provides a fascinating account of the capital's innovative approach to decoding and promoting its complex underground network.An accessible narrative coupled with first-class imagery make this book a must for lovers of art, design and cartography as well as the history of London.
This publication documents Italian artist Giuseppe Penone's sculpture "Spazio di Luce" ("Space of Light"), installed at the Whitechapel Gallery in London. "Spazio di Luce" is a bronze cast of the thick layer of wax surrounding a 40-foot-tall larch, with a radiant goldleaf interior that spreads dramatically across the columned gallery. The work references and augments a 1969 work of Penone's titled "All the Years of the Tree plus One," for which he also cast a tree in wax. Created in close collaboration with the artist, this volume brings together previously unpublished drawings, photographs of historic actions and recent sculptures and a selection of the artist's own writings. It also includes an interview between Achim Borchardt-Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color documentation of the exhibition at the Whitechapel Gallery.
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Metropolises often evoke images of flashy high-rise buildings, permanent background noise, backed-up cars and people moving quickly in all directions in their masses. New York, Tokyo, London, Sao Paulo. But what about Cairo? Lagos? Nairobi, Kinshasa, Johannesburg? More than half of the world's population lives in cities. Countries of the South in particular are facing fast-paced globalisation, with the highest rates of urbanisation taking place in African cities. Beyond Western models of urban development, African cities are creating their own urban structures, topography and cultures. How do these structures work? How do the residents of these cities organise their daily lives? What discussions are taking place in Africa about the history and future of cities? And how are artists thinking about and representing urban life in Africa? Lavishly illustrated and meticulously researched, Afropolis is the product of an exhibition developed by the Rautenstrauch-Joest-Museum in Cologne, Germany. The book focuses on the Big Five of African cities: Cairo, Lagos, Nairobi, Kinshasa and Johannesburg, and brings together positions of artistic and cultural studies, as well as detailed histories and the specific dynamics of these African cities, in order to expand our understanding of the concept of urbanity and the phenomenon of the City from an African perspective. This is the first time the book is available in English.
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A timeless symbol of power and ambition, Napoleon Bonaparte (1769-1821) spent decades expanding France's empire, enjoying magnificent success and suffering crushing defeats. Featuring more than 400 never-before-seen objects, The Private Life of Napoleon allows a glimpse into the inner world of the French emperor. Over the course of 24 years, collector Bruno Ledoux amassed a remarkable range of manuscripts, books, gold jewelry, porcelains, miniatures, arms, and even historic souvenirs, all created in honor of Napoleon and the French empire.
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Incorporating the various schools and eras, and presented in a loose chronology, this guide offers concise commentaries on the key works in the National Gallery of Ireland's impressive collections. Founded in 1854, the gallery is Ireland's major national cultural institution devoted to the care and collection of fine art. It houses an impressive collection of European art together with the world's most comprehensive survey of Irish art. The collection, which ranges in date from 1300 to the present day, comprises over 15,000 works including paintings, sculpture, works on paper, photographs, icons, miniatures, objets d'art, furniture, books and archives. Also available: National Gallery of Ireland: Essential Guide ISBN 9781857599992"
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I Had an Interesting French Artist to See Me This Summer: Emily Carr and Wolfgang Paalen in British Columbia brings together new research concerning the French/Austrian artist Wolfgang Paalen (1905-1959), and the great Canadian modernist, Emily Carr (1871-1945), both of whom dedicated their most productive years to what Paalen called "the direct visualization of the forces which move our body and mind." Accompanying an exhibition at the Vancouver Art Gallery scheduled for July 1 to November 13, 2016, the catalog will tell the story of how both artists met in Victoria, British Columbia, in 1939, and how the creative vision of each one expanded in reaction to the landscape and the monumental art of the Northwest Coast First Nations. The catalog will present an essay by the scholar Colin Browne, ancillary archival materials, as well as full color reproductions of both early and late works by both artists as they moved toward their transcendent visions. With objects assembled from public and private collections internationally, this first pairing of these two modernist painters is being organized by the Vancouver Art Gallery, and curated by Colin Browne.
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The New Yorkers is a glorious look at a city bursting with colour and life. It is a body of work full of frozen moments, serendipity and reflection. Through Robert Herman s work we recognise the New York we knew and the New York we still know today. His street photography freezes people and places in this city at decisive moments, with spontaneity and authenticity. In this book the city waves at us, looks us right in the eye and brushes past us, without seeing. It layers images upon images like the best graffiti -- always renewing and reforming itself. Features a Foreword by Sean Corocoran, Curator of Prints and Photographs, Museum of the City of New York and an Essay by Stella Kramer, Pulitzer Prize Winning Photo Editor.
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The Tanenbaum gift of over two hundred works of internationally significant nineteenth-century European art is one of the most important art donations to a Canadian gallery. A diverse and original collection, it features works by Leon Bonnat, Frank Brangwyn, Charles Cordier, Gustave Dore, Pierre Puvis de Chavannes, Kathe Kollwitz, Henry Raeburn, Joaquin Sorolla, James Tissot, and Anders Zorn.This beautifully illustrated volume presents seventy-five of the key highlights by fifty-nine international artists. It offers insight into a broad range of artistic production in the nineteenth century, encompassing painting, sculpture, drawing, and printmaking. Author Alison McQueen provides an in-depth analysis of the social and historical context of each work, and full-color images illuminate her close study of the aesthetics of every piece. The artwork entries are accompanied by provenance, exhibition history, and bibliography.This book challenges many lasting misconceptions about nineteenth-century art. It includes a preface by collectors Joey and Toby Tanenbaum and an introductory essay on the collection by Alison McQueen.
The first and only book on one of the finest private collections of contemporary Iranian art This sumptuous volume features almost 250 contemporary artworks and a selection of medieval and early modern Islamic art - the heralded collection of Mohammed Afkhami, a prominent player at the cultural and regional front line of Middle Eastern art. Honar (meaning 'art' in Farsi, the language of Iran), includes works ranging from the disturbingly subversive to exquisitely inclusive, exhibiting the pain of exile, the querying of ideology, and the artistic insistence on personal independence.
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The Vatican: All the Paintings is organised and divided into 23 sections representing the museums and areas of the Vatican, including the Pinacoteca, the Sistine Chapel, the Raphael Rooms, the Borgia Apartments, the Vatican Palaces, St. Peter's Basilica, and more. 180 of the most iconic and significant paintings and other pieces of art are highlighted with 300-word discussions by art historian Anja Grebe on the key attributes of the work, what to look for when viewing the work, the artist's inspirations and techniques, biographical information on the artist, the artist's impact on art history and more. All 1,206 works of art are annotated with the name of the painting and artist, the date of the work, the birth and death dates of the artist, the medium that was used, the size of the work and the catalogue number (if applicable). The design of the book enables the reader to carefully examine and enjoy the 180 full- and half-page featured paintings as well as the rest of the collection of paintings, which appear four and six to a page. Several gatefolds through the book show triptychs, ceilings and frescos at an even larger size. Larger works of art like ceilings and frescos include overall views and details of the masterpieces.
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For more than four decades Eli and Edythe Broad have fostered public appreciation of contemporary art through their collection of nearly 2000 works, notable for its incredible sophistication and breadth. They operate the collection as a "lending library" through an enterprising loan program to institutions around the world. This book highlights The Broad Collection's depth by assembling a sharp cast of cultural leaders, writers, critics and curators to share their insights, experiences and diverse points of view on some of The Broad collection's most celebrated artists. Readers will delight in essays by filmmaker John Waters on Jeff Koons; music critic Greil Marcus on Christopher Wool; novelist Siri Husvedt on Anselm Kiefer; travel writer and essayist Pico Iyer on Takashi Murakami; Pulitzer Prize-winning biographer Mark Stevens on Cy Twombly; and former Chief Curator of Painting and Sculpture at the Museum of Modern Art, New York, John Elderfield on Jasper Johns, among many other pairings. Curated as carefully as an exhibition, this collection of timeless images and timely writings gives readers a unique pathway through this enormous and enormously influential, collection. Published in association with The Broad.
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First opened in 2000, Tate Modern is acclaimed worldwide as the pre-eminent gallery of modern and contemporary art. This book is published to accompany the opening of the major new extension to the museum in the summer of 2016. The vastly increased gallery space will allow a much enhanced display of works from Tate's collection of international modern and contemporary art, offering a more global outlook and greater diversity, and reflecting the significance of the constantly shifting hubs of influence and activity in the art world that have occurred since the beginning of the twentieth century. An essay by Frances Morris summarises the history of the collection before setting out the current ethos for acquiring works, offering an intriguing insight into the considerations involved in building and shaping a national collection. Matthew Gale describes some of the changing themes in the gallery displays. The Artists A-Z section includes not only many of the most popular works in the collection, including Matisse's The Snail, Rothko's Seagram Murals, Dali's Lobster Telephone and Holzer's Truisms, but also features recent acquisitions from across the world by important artists such as Abraham Cruzvillegas, Daido Moriyama, Dayanita Singh and Ai Weiwei. The texts, written by Tate curators, offer a summary of the career of each artist as well as a description of the work, while a glossary outlines the pivotal moments and places in the history of modern art. More than simply a guide to one of the most important museums in its field, the book is also a an invaluable tool to the understanding of modern art and artists.
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The first book to explore the mutual influence of the groundbreaking modernists Kurt Schwitters, Joan Miro, and Hans Arp. Featuring approximately 100 key works, along with numerous reference images, this book explores the work of Kurt Schwitters, Joan Miro, and Hans Arp and the ways in which the artists influenced each others artistic pursuits. It examines the artists shared commitment to geometric forms over natural ones and their individual strategies for fusing painting and sculpture to mine the depths of assemblage. United by an impulse to renew and transform art, to "assassinate" painting, Schwitters, Miro, and Arp experimented with collage and assemblage in order to build on the achievements of Cubism and break with prior traditions. Not only did their work resonate within their own artistic circles, but it continues to inspire subsequent generations to this day. "
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In 1728 when he was 29 years old, John Bartram (1699-1777), a third generation Pennsylvania Quaker, bought a 102-acre site in the Philadelphia environs and started developing it into an arboretum that became known as Bartram's Garden. He began sending seeds and plants to Peter Collinson, a London merchant, and many others after that, in wooden boxes he designed for the trans-Atlantic voyages. When a severe storm felled trees in the historic Garden in 2010, The Center for Art in Wood in Philadelphia challenged artists across the world to create works from the wood that expressed the botanist's voice and dedication. Forty artists responded with diverse projects that keep Bartram's spirit alive and celebrate nature, science, and design.
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