Presented in an A-Z fashion, this incredible book will tell you everything you ever wanted to know about typefaces, typography and the printed page - from specific fonts to the essential tools.
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The fonts represent the typographic spectrum and they are all put into historical context. There's even a pangram to show the entire alphabetic range of each one. A chapter on anatomy deconstructs the letters to show their anatomical structures and explains terms including bowl, crossbar, finial, ligature and spur.
The final chapter examines the myriad signs, symbols and punctuation marks that add extra meaning and nuance to words displayed on a printed page.
Ask any graphic designer the world over about their preferred approach to setting type, choosing a colour, or beginning a new layout, and you will rarely get exactly the same answer twice. Every creative has their own individual approach, or more importantly their own combinations of the thousands of techniques one can apply when planning a new design project. But there are some dos and don'ts that always figure strongly in any heated debate about what one should or should not accept as the right way to create the best graphic design. Packed with practical advice but presented in a light-hearted fashion, Graphic Design Rules is the perfect book for the ever-growing group of non-designers who want some graphic design guidance. And for more experienced designers, individual entries will either bring forth knowing nods of agreement or hoots of derision, depending on whether or not the reader loves or hates hyphenation, has a pathological fear of beige, or thinks that baseline grids are boring. In the style of a classical almanac, 365 entries combine a specific rule with a commentary from a variety of experienced designers from all fields of the graphic design industry. Grouped into six colour-coded chapters - typography, colour, layout, imagery, production, and creative thinking - the reader can either dip in at random or use the book as the source of a daily lesson in how to produce great graphic design.
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Megan Hess provides an illustrated guide to the beautiful garments that changed the world in the beautiful book, The Dress: 100 Iconic Moments in Fashion.
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Presented in hardback and with a stylish gold trim, it tells how a dress can capture a specific moment in time, the spirit of a generation, or even encapsulate a fashion icon. With Megan's stunning illustrations of the dresses (and those who wore them) throughout the book, it's a wonderful read for any fashion aficionado.
From Audrey Hepburn's simple elegance to Lady Gaga's meat gown, the book takes a thorough look at the ever-evolving and always-inspiring fashion industry. All the dresses are accompanied by revealing facts and historical anecdotes too.
"Landmarks of Chair Design" is an all-new survey of highly original and important seating designs by the renowned authorities on the subject - Charlotte and Peter Fiell. Showcasing over 1000 chairs by some of world's greatest designers, from Alvar Aalto to Marco Zanuso, this comprehensive work traces the fascinating history of the modern chair and explains why it has become such an important cultural phenomenon.
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Covering the studios complete output over twenty years - some 170 projects - Thomas Heatherwick: Making answers what many have asked: How did he do that?. Heatherwick Studio has continued to expand since the original edition was published in 2012. This new edition includes more large-scale international work, which will place Heatherwick's reputation alongside the most influential architects and designers of a generation. Heatherwick was personally involved in the books every detail, ensuring that the most fascinating - and sometimes personal - facets of each projects are revealed, most for the first time.
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Industrial-style furniture is in fashion bistro tables and chairs, lockers, mail sorting racks and jointed lamps are all common elements in today's interior design. In this book, Brigitte Durieux, an authority on the style, tells us the story behind fifty European and American objects that have made the surprising transition from factories to our livings rooms and become cult furniture. Featuring more than 250 images, "Industrial Chic" is a beautifully illustrated showcase that reveals the incredible reach, versatility and long-lasting appeal of industrial design. The remarkable histories of these distinguished objects including the Gras lamp, the Singer stool, the Holophane reflector, the Brillie clock and more accompany brilliant photographs by Laziz Hamani.
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Gundam and the Transformers have countless fans around the world. The delighted cries of these fans are ample evidence of these machines' allure. While appreciating these creations, we should not ignore the people who created them. Machine Rendering will use interviews and collected artworks to create a thorough presentation of the development of machine rendering as an art form in the West, Japan and China. This book consists of two parts, or two stories. In the first, ten machines created by Western and Japanese artists go into battle. Whether they have cold armour shells and weapons, or they are smooth, humanoid machines, in these battles, they all manifest the rich creativity of the artists behind them. In the second part, ten outstanding Chinese rendering artists will create ordinary everyday life scenes, using the lives of four family members to present a story of the mechanised life of the future. Not only will the reader experience a uniquely dramatic clash between fantasy and reality, he will also gain a strong sense of Chinese design elements.
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Pioneers of German Graphic Design tells the fascinating story of German graphic design in all its detail, from the late monarchy to the Wirtschaftswunder after World War II. The author explores the interrelationship between the groundbreaking early inventions of Germany's graphic design pioneers and the nation's explosive politics, shedding light not only on the development of the profession but on its international influence. Peter Behrens created the world's first comprehensive corporate design for AEG as early as 1907, including the company's printed materials, its headquarters and products. Other innovators soon followed: Lucian Bernhard prompted a revolution in poster design, Wilhelm Deffke and Karl Schulpig invented the modern logo, Herbert Bayer expanded the language of form at the Bauhaus, Jan Tschichold promoted a new typographic style and John Heartfield discovered photomontage as a means of visual communication. They were all caught up in a spirit of optimism and opportunity which swept across Germany, and especially Berlin, in the early decades of the 20th century. The Nazi rise to power stifled progress from 1933 onwards and drained the country of its creative leaders. They either emigrated or adapted to the political circumstances. Despite the total destruction caused by the war, the 1950s witnessed an economic miracle together with the dawn of a new era of graphic design in Germany. Apart from reproducing numerous iconic designs in magnificent quality, this volume exhibits a great diversity of important unpublished or forgotten pieces. It presents the inspirational stories of fourteen graphic designers who essentially shaped the modern profession.
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For 11 years, Watches International, the original annual of the world's finest wristwatches, has set the standard for up-to-date reference guides devoted to luxury timepieces. Now they have started a series, Grand Complications, focused on high-end watches and timepieces that delves into the complexities of high-end watchmaking. The annual devotes chapters to tourbillons, repeaters and sonneries, chronograph rattrapantes, perpetual calendars, equations of time, astronomical indicators, GMTs, retrogrades and host of novelties. It explores the roots and origins of these complications as a complete compendium of brands and watches that fall within the realm of haute horology, complete with full-colour images and detailed technical descriptions. It also features more than 1,000 full colour photographs, a full glossary, and contact information for each house, making this the must have reference for watch collectors and professionals.
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Have you ever stopped to think about just how special scarves are? From neckties to turbans and drapes, The Art of the Scarf is a celebration of this oh-so-fashionable accessory.
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Nearly everyone has a scarf tucked away in their wardrobe, but nowhere near as many are completely sure of how to wear them with style. This book shows you how to adapt your scarf in so many different ways. From bold bows to more subtle knots, there is a way to make the most of every scarf.
With art deco-style black-and-white illustrations to show you how to achieve the right look, this quirky little book explains the best ways to wear scarves with tailored jackets, on nights out or even with a swimming costume.
This, the newest title in the highly acclaimed 'Design Series' focuses on the work of John Piper (1903 - 1992). Piper remains something of an enigma: an antiquarian who was among the pioneers of non-representational art in Britain; an abstract painter who drew his inspiration from the paintings of Turner and mediaeval stained glass; and a romantic with a penchant for geometric design. Despite, in formal terms, coming to art late, Piper became one of the most diverse designers of his generation. Up until the 1951 Festival of Britain, his work had been almost entirely graphic. Indeed much of his design - particularly for the theatre, murals, mosaics, textiles and tapestries - was to remain graphics based. However, Piper was also to enter into rewarding partnerships with Patrick Reyntiens, David Wasley and Joseph Nuttgens designing stained glass; with Geoffrey Eastop in ceramics; and, most explosively of all, with Ron Lancaster and John Deeker, for some of the greatest pyrotechnic displays that Britain has witnessed since the 18th century. Commissioned by the War Artists Advisory Committee in 1940, Piper's two paintings of the ruins of Coventry's St Michael's Cathedral, along with his St Mary-le-Port, Bristol are among the most iconic images of World War II. However, mediaeval stained glass was perhaps Piper's most enduring passion; the slabs of glass, the leading and the richness of colour of these windows, were to provide a fundamental source of inspiration not only for his paintings and designs for stained glass, both figurative and abstract, but also for work in other media.
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An elegant exploration of the hugely influential simplicity, beauty, and functionality of Nordic design - timeless, yet on trend From literature to food, lifestyle to fashion, cinema to architecture, Nordic influence is evident throughout contemporary culture. The Red Thread: Nordic Design celebrates this deep-rooted aesthetic, showcasing the diversity of design from Scandinavia and Finland via more than 200 objects - from everyday items to exquisitely produced decorative glassware, and from traditional handmade textiles to mass-produced products found in homes across the globe. The title is taken from a metaphor, common in the Nordic countries, of a shared and highlighted characteristic (like a long connecting thread in woven material), that runs through and connects themes, ideas, stories, and, in this case, design.
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The Arts and Crafts Movement produced some remarkable furniture. Its principal designers, though not all, were architects motivated by principles of good design and honest workmanship. The results varied from the sober oak austerity of Voysey and the rural perspectives of the Cotswold School, to the exuberant inlays of Ashbee and even Morris & Co. Written by a recognised authority on the subject, Arts and Crafts Furniture examines the furniture produced by the movement's protagonists: the Guilds, the Cotswold School, the Glasgow designers, Heal, and Liberty. Starting with the seminal office of G.E. Street and ending with the effects on Ambrose Heal and Gordon Russell, the reader is taken on a colourful journey from the origins of the Movement, through its heyday, to its culmination. Indeed, it is a tour that explains how the principles of the Arts and Crafts movement became an enduring part of modern design. In this second edition of the standard work of reference the author has included new information about the movement and pieces, much of which has only recently emerged. More than sixty new illustrations have also been added, a few of them showing rare pieces of special interest, but most of them recording more of the furniture belonging to or influenced by the movement.
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Since color is such an important part of graphic design, designers need the most up-to-date, as well as the most fundamental, information on the subject to have the tools needed to use color effectively. From the meanings behind colors to working with color in presentations, this book provides readers with the vital information needed to apply color creatively and effectively to their design work. Readers also receive guidance on talking with clients about color and selling color ideas. The science behind color theory is also explained in easily understood language, and case studies are included to show the effects some color choices had on both their clients and consumers.
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How To Be Parisian brilliantly deconstructs the French woman's views on culture, fashion and attitude. Bohemian free-thinkers and iconoclasts, Anne Berest, Caroline De Maigret, Audrey Diwan and Sophie Mas cut through the myths in this gorgeous, witty guide to Parisienne savoir faire. These modern Parisiennes say what you don't expect to hear, just the way you want to hear it. They are not against smoking in bed, and all for art, politics and culture, making everything look easy, and going against the grain. They will take you on a first date, to a party and through a hangover. They will tell you how to be mysterious and sensual, make your boyfriend jealous, the right way to approach weddings and the gym, and they will share their address book in Paris for where to go at the end of the night, for a birthday, for a smart date, for vintage finds and much more. Full of wit and self-deprecating humour, How To Be Parisian explains those confusing subjects of clothes, makeup, men, culture and lifestyle as only a true Parisienne can.
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The last ten years of magazine publishing have been a period of rapid innovation, providing a vital record of the eras diverse visual trends. The Modern Magazine features the best editorial design, looking in particular at how magazines have adapted to respond to digital media. Encompassing mainstream and independent publishing, and graphic and editorial design, The Modern Magazine explores the issues now facing the industry, examining changes to the basic discipline of combining text and image for the global, Internet-savvy consumer. The book looks at key developments in the field, interviewing a broad range of specialists to discover their understandings of the current state of the industry and how different areas of publishing influence each other. Incorporating great visuals and genuine insight into the process of their creation, The Modern Magazine chronicles these exciting changes, providing a resource for designers, with interviews with major figures, summaries of new developments and trends, links to blogs, and more.
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A provocateur, radical thinker and instigator of the most important sartorial statements of the twentieth and twenty-first centuries, Vivienne Westwood is a fearless nonconformist with a relentless passion for tradition. From the mini crini, the liberty corset and the rocking-horse shoe to the stunning, sumptuous wedding dress worn by Sarah Jessica Parker in Sex and the City and Dita Von Teese's infamous purple wedding dress, Westwood has unleashed her imagination on the world for almost 40 years. Her Pirate and Edwardian looks were worldwide fashion trends, and her revolutionary designs include the co-creation of the punk style, the introduction of street style into high fashion, the reworking of the crinoline, the restyling of Harris tweed and the reintroduction of platforms and the hourglass figure. She has been described by Anna Wintour as 'an unbelievable influence' and by Alexander McQueen as 'the Coco Chanel of our day'. Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.
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This book explains the basic terminology associated with furniture and interiors. It may be used as a handbook by furniture designers, interior designers, architects, those working in retail or anyone with an interest in home decor. As an essential guide, readers may consult this for basic definitions of their queries. From Chesterfield to Gothic; Eileen Gray to Orla Kiely; Louis styles to Bouroullec; Thonet to Tolix; terms are explained alongside illustrations where necessary. While this is a book aimed at contemporary designers it is recognised that much terminology relating to furniture and interiors remains rooted in the archaic; in such cases the contemporary product or context is given to show how relevant the past can still be to contemporary design. With over 1,000 definitions, many of which are illustrated, this book aims to help the reader in discerning the correct terminology to use, whether it be for a design presentation or shopping for new furniture.
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From the author of The Secret Lives of Colour, this fascinating book explores the history of civilization and human creativity: from the mummies of Ancient Egypt and the silken dragon robes of Imperial China to the woollen sails of Viking longboats and the Indian calicoes.
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Kassia St Clair studied the history of women's dress and masquerade during the 18th century and uses her knowledge and wit to argue that fabrics have changed and shaped the world we live in today.
Packed with compelling stories from around the world and spanning thousands of years of human ingenuity, this book is sure to change the way you see the world.
The projects in this book began as a list Stefan Sagmeister found in his diary under the title "Things I have learned in my life so far." Given an incredible amount of freedom by some of his clients, he began transforming these aphorisms into typographic works; they have since appeared as French and Portuguese billboards, a Japanese annual report, on German television, in an Austrian magazine, as a New York direct mailer and as an American poster campaign. Taken together, the collection is part design project, part work of art, part examination of the pursuit of happiness. To this end, noted designer Steven Heller, art critic and curator Nancy Spector and psychologist and Happiness: The Science Behind Your Smile author Daniel Nettle contribute essays to the book. The new edition contains three additional signatures (48 pages) covering new works, such as the Dietch Gallery exhibition in SOHO that coincided with the book's opening and The Happy Film, a documentary that Stefan is launching next autumn.
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This volume is an unprecedented history of Louis Vuitton's women's bags, the most coveted line of accessories in women's fashion. At the heart of Louis Vuitton are its City Bags, a range of women's bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today's most sought-after collectibles, including Vuitton's collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andree Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.
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As the definition of designer expands and architects today create everything from jewelry to urban masterplans, a new wave of objects ranging from furniture to small-scale architectural inventions is transforming our interior spaces. Boosted by digital design and manufacturing possibilities, a rising global group of independent makers is making this crossover of furniture and architecture one of the hottest and most innovative fields of design. Furnitecture presents some two hundred examples of this new design typology, by renowned architects and designers from around the globe, including Danish studio KiBiSis design for a reconfigurable bookshelf system, Japanese architect Shigeru Bans moving boxes within rooms, Dutch designers Makkink & Beys conversational Ear Chairs and French atelier 37.2s series of self-standing cubes.
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A collection of the lavish and iconic gowns of Christian Dior, from the 1950s and '60s, captured by the legendary photographer Mark Shaw. Iconic photographer Mark Shaw documented the ultra-exclusive Parisian fashion world, focusing on Paris's long-standing top couturier Christian Dior. Shaw's photographs--some of the first fashion photographs ever shot in color--capture the most stunning and extraordinary fashion of the era. This lavish volume embodies the glamour of that time, from rare moments of Christian Dior during fittings to editorial-style photographs of models, socialites, and actresses posing in Dior's ballgowns, day suits, and haute couture collections. Shaw's photojournalistic style changed fashion photography forever: his approach was to photograph wide, giving the subject a sense of context, creating an environment as exquisitely transformative as the subject and garment. With an eye for intimacy and opulence, this book features more than 200 color and black-and-white photographs, many never published before, having only recently been found in a secret vault by his estate. Dior Glamour: 1952-1962 captures the drama and elegance of the period's style and will be treasured by lovers of photography, fashion, style, history, and cultured living.
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Tim Gosling is a British interior designer with an international reputation for designing exquisite interiors and beautifully crafted furniture for a range of public and private clients. Classic Contemporary showcases Gosling's recent work and gives the historical context for his designs, with archive drawings and photographs of the work of architects and designers whose work he admires. The book is structured by period, beginning with the eighteenth century and finishing in the twenty-first. Each chapter begins with one page that lists the Design Rules, the Materials and the Leading Figures associated with the era and style. The text of the chapter discusses key architects and designers, particularly those who have influenced Tim or whom he admires, and the style that emerged in that period, illustrated with historical images. The rest of the chapter consists of an extended plate section showing Gosling's interiors and furniture with extended captions in which he comments on the elements of the period's style incorporated into his work. The final chapter has a discussion and photographs of the craftsmanship that goes into the production of the furniture Tim designs. Through these pages, Regency, Victorian, Art Deco or Modernism can be viewed in a new light, resulting in a book that provides a unique insight into the work of one of today's most popular and respected designers.
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