Books on Building Types
Simon Jenkins, the author of Britain's 1000 Best Churches, turns his attention to railways in this rail-ly good book. He's travelled all over the country to select the best ones and talks about them with insight and authority.
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Simon is the founder of the Railway Heritage Trust and his passion is second to none. He reveals each station's history, geography, design and significance and how they have impacted on social history.
Railways are a place where people come, go, meet, greet and part. They're also a long-neglected aspect of Britain's architecture and this beautifully illustrated book celebrates the engineers, architects and companies that have built them.
Acclaimed photographer Peter Dazeley has gained access to the hidden interiors of 50 of London's most iconic buildings and showcases them all in this stunning book.
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Accompanied by Mark Daly's concise, thoughtful and informative text, among the buildings you can look inside are the royal palaces of Hampton Court, the Tower of London and the Supreme Court. Some of the relics and structures are derelict, but many are still working. What's for certain is they're all extraordinary.
This beautiful book explains how each place was created, how they are used and what each ones reveals about the currents of power that flow through the city. You can find out all about the boiler room of London's infrastructure and peek inside everywhere from the changing rooms of the top sports stadiums to the heart of the establishment.
This essential reference is a compilation of ideas, suggestions, and design solutions taken from a variety of experts in the field. The goal is to give homeowners increased independence, allowing them to envision and create their own future. Today, numerous homeowners are thoughtfully designing or redesigning their homes into living spaces that they will be able to enjoy and function in for many years to come. With a few modifications, a home can be made more accessible and friendly without losing its personal charm and designer's flair. Present modifications can set the stage for future changes, such as extra lighting, radiant heating, and energy conservation, along with the inclusion of assistive technology required as the body changes. In this well-illustrated book, with over 200 color photos, many architects and designers display a variety of architectural designs for "aging in place." The general concepts brought forward help to create flexible, personal space, highlighting solutions that can be utilized in multiple contexts. A Certified Aging in Place Specialist (CAPS), Dr. Jill M. Bjerke explores many of these issues in the Foreword.
Democratic Architecture offers viable & affordable solutions to our country s ongoing housing problems. The book deals with tough urban problems and raises questions not just about housing policy, but about larger political and ethical issues as well. It provides a critique of the various approaches to post-war housing and then puts forth a number of innovative solutions to the problem. Many of the proposals are practical designs for low- and lower-middle-income housing, with an emphasis on increasing opportunities for home ownership. They include a variety of detached homes, multiunit buildings, and some alternative types of housing for people whose lifestyles diverge from the mainstream. With more than 200 black & white and color illustrations, Democratic Architecture is a book that clearly lays out solutions to housing crises that we see occurring all too often in the United States and all over the world."
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The ten extraordinary houses and castles featured in this book have all survived the vicissitudes of Scotlands history with almost all of their original families still in residence. Each house also represents a landmark in Scotlands architectural history, ranging from the early seventeenth to the early twentieth century. The architectural revelation is matched by sensational settings, which merge designed gardens and landscape with the unparalleled wildness and vistas of Scotland. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. James Fennells masterly photographs capture the distinctive atmosphere of each residence. As he guides the reader on an intimate tour of the houses, Knox recounts their histories and profiles the colourful lairds, clan chiefs and nobles who have called them home.
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"This lavishly illustrated compendium suggest that the age of elegance endures", Mail on Sunday The great houses of London represent one of the marvels of English architecture and yet they are almost entirely unknown. They are for the most part disguised behind sober facades but their riches within are astonishing. There are many architectural wonders, among them Robert Adam's 20 St James's Square and William Burges's Tower House. Several - including Bridgewater House with its Raphaels and Titians - have held great art collections. These are houses that hold extraordinary stories: half the Cabinet resigned after breakfast at Stratford House; and on 4 August 1914, at 9 Carlton House Terrace, then the German Embassy, young duty clerk Harold Nicholson deftly substituted one declaration of war for another. Great Houses of London opens the door to some of the greatest and grandest houses in the world to tell the stories of their owners and occupants, artists and architects, their restoration, adaptation and change.
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Showcasing one hundred years of innovation and environmental sensitivity, Handmade Houses celebrates some of the world's most idiosyncratic homes from Big Sur to Sardinia. Author Richard Olsen unveils the components used for their construction, including driftwood, boulders, and even old wine vats. The first study of the handmade-homes phenomenon since its inception in the late 1960s, Handmade Houses revisits the subject's roots and history, exploring how these homes and their owners paved the way for the architectural-salvage business and the reclaimed, industrial look ever-popular today. As fascinating as the structures are themselves, their owners--professionals and amateurs who personally designed and built each residence--offer their inspirations and stories behind the convention-defying homes. Design lessons are gleaned from each home--some examples of environmentally aware construction with applicable tips for use in more mainstream scenarios. Handmade Houses is an important and relevant volume to be appreciated by anyone interested in environmentally friendly design, craft, and the expression of personal style in the home.
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ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors Nigel Anderson, Hugh Petter and George Saumarez Smith to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security all prerequisites in contemporary house design. Unlike country houses of the past, today s houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses."
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In the story of English architecture, and the history of Cambridge University in particular, Downing College occupies a very special place. Founded in 1800 through the will of the third Sir George Downing, Baronet, it was the first new college to be built in Cambridge for more than 200 years; the first major scheme in the neo-Classical Greek Revival style; and the first instance of the spacious campus plan in collegiate architecture, acting as the precursor to Thomas Jefferson's University of Virginia and the American campus universities that were to follow. For the last 215 years the College has been fully committed to the defining style of its original buildings for all subsequent additions to its spacious site in the centre of Cambridge, and the story of its architecture is traced from the earliest plans and ideas through to the college of today.
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This well-illustrated journey through 50 magnificent villas and palaces built by the Italian aristocracy covers country retreats in Tuscany and the Veneto, impressive residences in Rome and Siena, and fortress like castles and grand villas in Trieste and Sicily. Collected here for the first time, these world famous private residences are unsurpassed in their diversity and artistic grandeur. Italian Splendor offers both professional and lay readers a glimpse behind the closed doors of these family homes, which contain some of the world's most impressive and sumptuous designs.
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Woolworth's bright red signboard was a beacon on British and Irish high streets for nearly a century. American in origin, Woolworth's grew rapidly after the first branch opened in Liverpool in 1909. The business model - with inexpensive goods piled on counter tops - scored an immediate hit with British consumers. By 1930 there were 400 stores, and by 1960 over 1000. With its own architects' department and regional construction teams, Woolworth's erected hundreds of prominent stores in shopping centres throughout England, Scotland, Ireland and Wales. It is these buildings - often typical of the commercial architecture of their day - which provide the focus of this book. This is not, however, a conventional architectural history - it is the story of Woolworth's seen through the prism of its stores. The Woolworth's chain was of huge cultural importance, shaping and reflecting fundamental changes - mostly American in origin - that took place in the nation's shopping habits. Despite its dominant position on the high street, by the 1960s Woolworth's was beginning to lose its way. As people acquired cars and freezers and began to desert the high street, Woolworth's tried to stay ahead of the game with unsuccessful ventures into out-of-town and catalogue shopping. But by the time of its demise in 2009, a shrunken Woolworth's owned just two of the stores which it had built and developed over the preceding century. The closure of the last British stores in January 2009 provoked an outpouring of nostalgia and grief. Woolworth's occupied the heart of many communities, physically and commercially, and its heritage deserves celebration.
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Packed with advice and tips, this practical book explains how to get the most from your greenhouse. By first looking at the design and site of the greenhouse, it leads the gardener through the joys and opportunities of growing a large range of plants, both edible and ornamental, under glass that would be impossible in the open.
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Often hidden away or incorporated into other architectural features, icehouses are a largely forgotten part of our heritage. As winters warmed through the nineteenth century, and supplies of natural ice declined, the development of artificial refrigeration made redundant these curious buildings - often status symbols in themselves - which had been designed to store winter snow and ice into the summer. Icehouses allowed perishables to be preserved, chilled delicacies to be enjoyed, and fevers to be relieved - and on a commercial scale they fed an international trade that carried snow from mountain peaks and ice from frozen lakes to supply the needs of industry, markets and householders. In this illustrated introduction, Tim Buxbaum explains how icehouses developed; how, when and where they were built; and how they operated, including a chapter on icehouses from around the world.
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From the mid-eighteenth century Irish country houses flourished. But factors such as the Great Famine, land reforms, the increasing expense of maintenance and the IRA targeting the houses during the War of Independence took their toll. Gradually, the houses sank into decay. In 2008 Tarquin Blake found his first abandoned 'Big House' and so began exploring the lost architecture of Ireland. Alongside his haunting photographs, Tarquin includes brief histories of these abandoned mansions and the people who lived there. He features mansions from all over Ireland, including Mountpelier Lodge (Dublin Hellfire Club), the birthplaces of Daniel O'Connell and the Duke of Wellington, and the one-time homes of Grace O'Malley and of brewing family the Smithwicks of Kilkenny. This lost period of stunning architecture and elegance is evoked in high-definition 360 photography, which provides us with a glimpse into what were once Ireland's most distinguished homes.
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Since the early seventeenth century, when the cultivation of exotic plants and fruit became fashionable in northern Europe, glasshouses have offered an artificial climate in which they could flourish. At first these structures were within reach only of the very richest, and growing one's own oranges, orchids, pineapples or bananas was a sign of great wealth; but by the mid-nineteenth century manufacturers emerged to cater for a growing middle-class market. Glasshouses became increasingly sophisticated, with different types tailored to house specific crops, and manufacturers competing with one another by developing their own house styles, leading to a wealth of designs endlessly fascinating to the garden or architectural historian. In Glasshouses, Fiona Grant provides an illustrated introduction to the subject, including the twentieth century decline and recent attempts at restoration.
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The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do "something big." Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo-Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a muchanticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia's Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: "Art & Migration: Sabato Rodia's Towers in Watts, Los Angeles" and "The Watts Towers Common Ground Initiative: Art, Migrations, Development." The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia's Towers in Watts presents a well-rounded tribute to one man's tenacious labor of love. A portion of royalties from this book will go to support the work of the Watts Towers Arts Center. Click here for Appendices B-D of Sabato Rodia's Towers in Watts: Art, Migrations, Development
Storybook style, fairy tale, Disneyesque, Hansel and Gretelthese are all synonyms for what is surely the most delightful residential style of the twentieth century. With their romantic evocation of faraway lands and eras, storybook homes were created by architects and builders with a flair for theater, a love of fine craftsmanship, and above all a sense of humorattributes that make them especially endearing to the jaded modern eye. The storybook style was born on the backlots of Hollywood in the 1920s, where brilliant set designers first learned to evoke the exotic architecture of medieval Europe and the Middle East. Movie-going Americans became fascinated with these settings, and architects and builders were quick to capitalize on this enthusiasm. The whimsical style soon spread from coast to coast, and the unforgettable results are portrayed here.
The history of England is inextricably linked with the stories of its leading aristocratic dynasties and the great seats they have occupied for centuries. As the current owners speak of the critical roles their ancestors have played in the nation, they bring history alive. All of these houses have survived great wars, economic upheavals, and, at times, scandal. Filled with stunning photography, this book is a remarkably intimate and lively look inside some of Britain's stateliest houses, with the modern-day aristocrats who live in them and keep them going in high style. This book presents a tour of some of England's finest residences, with many of the interiors shown here for the first time. It includes Blenheim Palace-seven acres under one roof, eclipsing the splendor of any of the British royal family's residences-property of the Dukes of Marlborough; the exquisite Old Vicarage in Derbyshire, last residence of the late Dowager Duchess of Devonshire (nee Deborah Mitford); Haddon Hall, a vast crenellated 900-year-old manor house belonging to the Dukes of Rutland that has been called the most romantic house in England; and the island paradises on Mustique and St. Lucia of the 3rd Baron Glenconner. This book is perfect for history buffs and lovers of traditional interior design and English country life.
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Le Corbusier Redrawn: The Houses presents 25 of Le Corbusier s small residential work (self-sufficient and detached singleand double-family houses) through sectional projections (perspectival sections) as well as plans, sections, and elevations. Sectional projections, compared to other types of representation, capture most clearly the relational dynamic among different building elements and therefore express most effectively the architect s design intentions. The book is the only collection of consistently rendered original original drawings (at 1:200 scale) of Le Corbusier s architecture. Included works are as follows: 1. Maison-atelier du peintre Amedee Ozenfant, Paris, France, 1922; 2. Villa Besnus, "Ker-Ka-Re", Vaucresson, France, 1922*; 3. Villa Le Lac, Corseaux, Switzerland,1923; 4. Villas Lipchitz-Miestchaninoff, Boulogne-sur-Seine, France, 1923*; 5. Maisons La Roche-Jeanneret, Paris, France, 1923 - 1925; 6. Maison Ternisien, Boulogne-sur-Seine, France, 1926; 7. Maison du Tonkin, Bordeaux, France, 1924; 8. Pavillon de l'Esprit Nouveau, Paris, France, 1924; 9. Maison Planeix, Paris, France, 1924; 10. Maison Guiette, Antwerp, Belgium, 1926; 11. Maison Cook, Boulogne-sur-Seine, France, 1926; 12. Villa Stein-de-Monzie, "Les Terrasses", Garches (Vaucresson), France, 1926; 13. Villa Church, Ville-d'Avray, France, 1927; 14. Maisons Weissenhof-Siedlung, Stuttgart, Germany, 1927; 15. Villa Baizeau, Carthage, Tunisia, 1928*; 16. Villa Savoye, Poissy, France, 1928; 17. Villa de Madame H. de Mandrot, Le Pradet, France, 1929; 18. Maison de week-end, La Celle-Saint-Cloud, France, 1934; 19. Villa "Le Sextant", Les Mathes, France, 1935; 20. Maison du Docteur Curutchet, La Plata, Argentina, 1949; 21. Cabanon de Le Corbusier, Roquebrune-Cap-Martin, France, 1949*; 22. Maisons Jaoul, Neuilly-sur-Seine, France, 1951; 23. Villa Shodhan, Ahmedabad, India, 1951; 24. Villa de Madame Manorama Sarabhai, Ahmedabad, India, 1951; 25. Pavillon d'exposition ZHLC (Maison de l'Homme), Zurich, Switzerland, 1963.
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Out on a Limb The sky's the limit with 50 ingenious tree houses around the world The idea of climbing a tree for shelter, or just to see the earth from another perspective, is as old as humanity. In this neat TASCHEN edition, take a tour of some of our finest arboreal adventures with 50 of the most beautiful, inventive, and enchanting tree houses around the world. From romantic to contemporary, from famed architects to little-known craftsmen, you'll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children's playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternate living, where playful imagination meets eco-sensitive finesse.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!Text in English, French, and German
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Holkham Hall is a masterpiece of eighteenth-century Palladian architecture set in a large walled park bordered by the marshes and dunes of the North Norfolk coast. Built, owned and occupied by the Coke family since 1612, it is at the centre of a major agricultural estate; a treasure house whose paintings, classical sculpture, books, manuscripts and furniture are of international importance.Using the extensive documents kept by generations of staff and family, recording the daily life of the Hall and estate, Christine Hiskey has traced Holkham's history through four hundred years, adding considerably to existing knowledge.Surviving vicissitudes and accumulating property, the Coke family were able to establish themselves at Holkham in the seventeenth century. The vision of Thomas Coke, later 1st Earl of Leicester , inspired by his exceptionally fruitful Grand Tour, resulted in his spending twenty-five years in the mid-eighteenth century, building and furnishing the Hall, and Christine Hiskey records the work of the staff and craftsmen who brought his ideas to reality: the sourcing of materials, his application of advanced domestic technology, and, after his death, the dedication of his widow to completing his life's work. During the next 250 years, the Hall adapted to changing fashions, aspirations and economic circumstances in its domestic, social and public life. Fresh light is shed on the attitude towards the Hall of 'Coke of Norfolk', chiefly celebrated as an agriculturalist, and there are chapters on Victorian and twentieth-century Holkham which explore new areas for research.For the first time, the Hall and its setting are treated as an integrated whole. The creation, development and use of the park are examined, including a neglected area of research: the way in which the process of acquiring land reflected the owners' landscape and farming priorities. The changing fortunes of the two villages of the 'town' (subsumed during the eighteenth century but rather later than is often supposed) and the staithe (the origin of the present village) are traced in detail for the first time. New research also reveals the process whereby 350 years of intervention by the Coke family transformed the coastal landscape of marshes, dunes and creeks. A further 'overview' chapter discusses the Hall's relationship with public visitors, from the small groups who came to witness the building work in the 1750s to the tens of thousands who today are welcomed at the Hall by the present generation of the Coke family.
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Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall and car-crazed Goodwood House, this beautifully illustrated book showcases ten outstanding British country houses, all still in the hands of the original families. James Peill recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the 12th century, whose late 18th-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century. James Fennell has once again provided superb photographs of a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses.
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Paddington Station in London is one of Britain's most splendid and historically significant railway termini, as the home and headquarters of the Great Western Railway, and as one of the masterpieces of its chief engineer Isambard Kingdom Brunel (1806-59). Steven Brindle's comprehensive history, the first full-length study of the station to be published, first appeared in 2004. Around the same time, in the course of research for the book, the author discovered Brunel's earliest surviving cast-iron bridge, which spanned the Regent's Canal just outside the station but had hitherto been unrecognised, just in time to prevent its destruction for a major new road bridge and negotiate its salvage by dismantling. The second edition of the book, richly illustrated from a wealth of historic sources and now published in a larger format, has been updated to take account of a series of momentous recent developments at Paddington: the reprieve and restoration of the station's Edwardian 'fourth span'; the project to create a new entrance on its north side; and the impending redevelopment of its south side to serve as one of the principal stations on the new Crossrail route across London. The book concludes with a detailed account of the project to rebuild the Bishop's Road Bridge project and the author's discovery and salvage of Brunel's iron canal bridge: a rare instance when writing the history of a historic place directly influenced its future, and led to the saving of a unique part of the past.
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Discover a diverse selection of beautiful Cape Cod, Marthas Vineyard, and Nantucket homes from a dozen of the top architects practicing in this region. Breathtaking landscapes and water views abound throughout this area, providing a powerful backdrop for the homes that are situated there. With more than 40 projects, this design book features homes ranging from traditional shingle style to very modern designs, and from modest cottages to grandiose estates. Explore them inside and out, and learn about the architects, designers, builders, and other masterminds behind their creation. See the stylistic preferences unique to each architect and firm, including drawings, models, and floor plans, and be inspired to create your own dream home. With a foreword by architect John R. DaSilva, AIA, this is a quintessential coffee table book that makes a perfect gift for all home design and Cape region enthusiasts.