Art, Design & Architecture Books
Have you ever stopped to think about just how special scarves are? From neckties to turbans and drapes, The Art of the Scarf is a celebration of this oh-so-fashionable accessory.
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Nearly everyone has a scarf tucked away in their wardrobe, but nowhere near as many are completely sure of how to wear them with style. This book shows you how to adapt your scarf in so many different ways. From bold bows to more subtle knots, there is a way to make the most of every scarf.
With art deco-style black-and-white illustrations to show you how to achieve the right look, this quirky little book explains the best ways to wear scarves with tailored jackets, on nights out or even with a swimming costume.
Originally developed in linguistics, the structuralist approach has been introduced as a scientific method in anthropology and other human sciences since the 1950s. In the 1960s and 1970s the double category of primary and secondary structure (langue and parole), essential to structuralism, in which the primary structure's system of rules determines how the secondary elements are placed in relation to one another, also advanced to a leading Ideology in the field of architecture and urban planning. From its development in the Netherlands and within the Team 10 circle of architects, structuralism in architecture quickly spread world-wide. Since the 1990s we have been witnessing a revival of structuralist tendencies in architecture. Whereas the structuralism of the 1970s encountered limits in complexity that were insurmountable at the time, today there is much to suggest that the return to structural thinking is causally connected to information technology, which has opened up new possibilities for dealing with complexity. In the field of digital architecture there is talk of neo-Structuralism. The question arises as to whether primary and secondary structures of the 1960s should be understood today as being in a state of complex interactions with one another that could be described through algorithms. The current interest in design methods based on rules makes the structuralist approach one of the most productive and comprehensive methods for the organisation, design, and production of the built environment. At the same time, it provides the systemic and meta-theoretical background for all disciplines involved in the production of space. This book is a collection of 47 articles by renowned authors including, among others, Roland Barthes, Koos Bosma, Jorg Gleiter, Herman Hertzberger, Arnulf Luchinger, Winy Maas, Sylvain Malfroy, Hasim Sarkis, Fabian Scheurer, and Georges Teyssot. Through well-founded theoretical contributions, the book provides the first comprehensive representation of historical and contemporary digital structural thinking in architecture and urban planning.
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This, the newest title in the highly acclaimed 'Design Series' focuses on the work of John Piper (1903 - 1992). Piper remains something of an enigma: an antiquarian who was among the pioneers of non-representational art in Britain; an abstract painter who drew his inspiration from the paintings of Turner and mediaeval stained glass; and a romantic with a penchant for geometric design. Despite, in formal terms, coming to art late, Piper became one of the most diverse designers of his generation. Up until the 1951 Festival of Britain, his work had been almost entirely graphic. Indeed much of his design - particularly for the theatre, murals, mosaics, textiles and tapestries - was to remain graphics based. However, Piper was also to enter into rewarding partnerships with Patrick Reyntiens, David Wasley and Joseph Nuttgens designing stained glass; with Geoffrey Eastop in ceramics; and, most explosively of all, with Ron Lancaster and John Deeker, for some of the greatest pyrotechnic displays that Britain has witnessed since the 18th century. Commissioned by the War Artists Advisory Committee in 1940, Piper's two paintings of the ruins of Coventry's St Michael's Cathedral, along with his St Mary-le-Port, Bristol are among the most iconic images of World War II. However, mediaeval stained glass was perhaps Piper's most enduring passion; the slabs of glass, the leading and the richness of colour of these windows, were to provide a fundamental source of inspiration not only for his paintings and designs for stained glass, both figurative and abstract, but also for work in other media.
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This book is a collection of essays at the intersection of architecture and climate change. Neither a collective lament nor an inventory of architectural responses, the essays consider cultural values ascribed to climate and ask how climate reflects our conception of what architecture is and does. Which materials and conceptual infrastructures render climate legible, knowable, and actionable, and what are their spatial implications? How do these interrelated questions offer new vantage points on the architectural ramifications of climate change at the interface of resiliency, sustain- ability, and ecotechnology? Climates also contains a dossier of precedents for thinking about architecture and climate change drawn from a number of leading practitioners. New approaches to understanding climate in architecture make this book invaluable.This publication is a project by The Avery Review, a journal produced by the Office of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation.
- RRP £28.00
This volume collects a jaw-dropping assortment of art made from books--by cutting, painting, sawing, laminating, balancing or stacking. The definitive guide to the emerging art form, Art Made from Books showcases groundbreaking work by today's best practitioners, from Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Jonathan Callan. A foreword by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn complete the collection, presented in an unusual, tactile package with exposed spine.
- RRP £16.99
Since color is such an important part of graphic design, designers need the most up-to-date, as well as the most fundamental, information on the subject to have the tools needed to use color effectively. From the meanings behind colors to working with color in presentations, this book provides readers with the vital information needed to apply color creatively and effectively to their design work. Readers also receive guidance on talking with clients about color and selling color ideas. The science behind color theory is also explained in easily understood language, and case studies are included to show the effects some color choices had on both their clients and consumers.
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How To Be Parisian brilliantly deconstructs the French woman's views on culture, fashion and attitude. Bohemian free-thinkers and iconoclasts, Anne Berest, Caroline De Maigret, Audrey Diwan and Sophie Mas cut through the myths in this gorgeous, witty guide to Parisienne savoir faire. These modern Parisiennes say what you don't expect to hear, just the way you want to hear it. They are not against smoking in bed, and all for art, politics and culture, making everything look easy, and going against the grain. They will take you on a first date, to a party and through a hangover. They will tell you how to be mysterious and sensual, make your boyfriend jealous, the right way to approach weddings and the gym, and they will share their address book in Paris for where to go at the end of the night, for a birthday, for a smart date, for vintage finds and much more. Full of wit and self-deprecating humour, How To Be Parisian explains those confusing subjects of clothes, makeup, men, culture and lifestyle as only a true Parisienne can.
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From the skyline of Dubai to the idea of 'quality', the impact of broadband cabling in West Africa to the street plan beneath your feet Extrastatecraft is the operating system of the modern world. What can we do about it? Infrastructure is not only the underground pipes and cables controlling our cities. It also determines the hidden rules that structure the spaces all around us - free trade zones, smart cities, suburbs, and shopping malls. Extrastatecraft charts the emergent new powers controlling this space and shows how they extend beyond the reach of government. How can we find our place in their new world order, and what can we do to combat it?
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The historic counties of Montgomeryshire, Radnorshire, and Breconshire are described in this final volume of the Buildings of Wales series, expanded and revised from the first edition of 1979. Prehistoric hill-forts and standing stones, Roman encampments, Early Christian monuments, ruined castles and the enigmatic remains of early industry enhance the landscapes of this wild and beautiful region. Atmospheric medieval churches survive in quantity, together with diverse Nonconformist chapels. Vernacular traditions are represented by robust medieval cruck-framed houses, and by the manor houses and farmhouses of the Tudors and Stuarts. Other highlights include Montgomery, with its beguiling Georgian heritage, the Victorian spa at Llandrindod Wells, and Powis Castle, with its Baroque interiors and terraced gardens.
The last ten years of magazine publishing have been a period of rapid innovation, providing a vital record of the eras diverse visual trends. The Modern Magazine features the best editorial design, looking in particular at how magazines have adapted to respond to digital media. Encompassing mainstream and independent publishing, and graphic and editorial design, The Modern Magazine explores the issues now facing the industry, examining changes to the basic discipline of combining text and image for the global, Internet-savvy consumer. The book looks at key developments in the field, interviewing a broad range of specialists to discover their understandings of the current state of the industry and how different areas of publishing influence each other. Incorporating great visuals and genuine insight into the process of their creation, The Modern Magazine chronicles these exciting changes, providing a resource for designers, with interviews with major figures, summaries of new developments and trends, links to blogs, and more.
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This book tells the story of James Pulham & Son, the eminent family of Victorian and Edwardian landscape artists who specialised in the construction of picturesque rock gardens, ferneries, follies and grottoes. The book covers more than four generations of the family business that was also responsible for the manufacture of extremely high-quality terracotta garden ornaments including fountains, vases, sundials and bulastrading. The rock gardens, for which the firm are mainly remembered today, were built with 'artifical' rocks - formed from heaps of old bricks and rubble, coated with cement, and sculpted to simulate the colour and texture of natural stone. The author's interest in James Pulham & Son stems from the fact that no fewer than five of his ancestors worked for the company as 'rock builders'. Features many incredibly famous locations, including Buckingham Palace, Sandringham, Heatherden Hall, Waddesdon Manor, Battersea Park, Friar Park and RHS Garden Wisley.
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A provocateur, radical thinker and instigator of the most important sartorial statements of the twentieth and twenty-first centuries, Vivienne Westwood is a fearless nonconformist with a relentless passion for tradition. From the mini crini, the liberty corset and the rocking-horse shoe to the stunning, sumptuous wedding dress worn by Sarah Jessica Parker in Sex and the City and Dita Von Teese's infamous purple wedding dress, Westwood has unleashed her imagination on the world for almost 40 years. Her Pirate and Edwardian looks were worldwide fashion trends, and her revolutionary designs include the co-creation of the punk style, the introduction of street style into high fashion, the reworking of the crinoline, the restyling of Harris tweed and the reintroduction of platforms and the hourglass figure. She has been described by Anna Wintour as 'an unbelievable influence' and by Alexander McQueen as 'the Coco Chanel of our day'. Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.
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Rhythm in Architecture is the first ever translation into English of a key early Modernist text, written by the celebrated Soviet Constructivist architect Moisei Ginzburg and first published in Russian as Ritm v Arkhitekture in 1923. Ginzburg is most famous for his Narkomfin Building in Moscow, completed in 1932, which he described as a "social condenser": a radical experiment in communal living. While Ginzburg's second book Style and Epoch, published in 1924, is often seen as the manifesto for Russian Constructivism, Rhythm in Architecture-which preceded it-can be seen as his attempt to create a synthesis in thinking about architecture as a whole, seeking to show how "the true essence of all works of architecture" are "inspired by the laws of rhythm". Rhythm in Architecture is republished in cooperation with the Ginzburg Design Practice run by Moisei Ginzburg's grandson, Aleksey and his partner Natalia Shilova. It is the first of a planned series of reprints of Ginzburg's four books, home, 1934 and Industrialising Housing Construction, 1937 as well as Style and Epoch, 1924-the only one previously available in English.
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This book explains the basic terminology associated with furniture and interiors. It may be used as a handbook by furniture designers, interior designers, architects, those working in retail or anyone with an interest in home decor. As an essential guide, readers may consult this for basic definitions of their queries. From Chesterfield to Gothic; Eileen Gray to Orla Kiely; Louis styles to Bouroullec; Thonet to Tolix; terms are explained alongside illustrations where necessary. While this is a book aimed at contemporary designers it is recognised that much terminology relating to furniture and interiors remains rooted in the archaic; in such cases the contemporary product or context is given to show how relevant the past can still be to contemporary design. With over 1,000 definitions, many of which are illustrated, this book aims to help the reader in discerning the correct terminology to use, whether it be for a design presentation or shopping for new furniture.
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The Fashion Book (New Edition) takes a fresh look at the fashion world and the people who created and inspired it. Spanning almost 200 years, the entire industry is represented; from clothing and footwear designers, to photographers, stylists, icons and retailers, including the new category of educational institutions that have been fundamental in the careers of many of the creative individuals.
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From the author of The Secret Lives of Colour, this fascinating book explores the history of civilization and human creativity: from the mummies of Ancient Egypt and the silken dragon robes of Imperial China to the woollen sails of Viking longboats and the Indian calicoes.
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Kassia St Clair studied the history of women's dress and masquerade during the 18th century and uses her knowledge and wit to argue that fabrics have changed and shaped the world we live in today.
Packed with compelling stories from around the world and spanning thousands of years of human ingenuity, this book is sure to change the way you see the world.
The projects in this book began as a list Stefan Sagmeister found in his diary under the title "Things I have learned in my life so far." Given an incredible amount of freedom by some of his clients, he began transforming these aphorisms into typographic works; they have since appeared as French and Portuguese billboards, a Japanese annual report, on German television, in an Austrian magazine, as a New York direct mailer and as an American poster campaign. Taken together, the collection is part design project, part work of art, part examination of the pursuit of happiness. To this end, noted designer Steven Heller, art critic and curator Nancy Spector and psychologist and Happiness: The Science Behind Your Smile author Daniel Nettle contribute essays to the book. The new edition contains three additional signatures (48 pages) covering new works, such as the Dietch Gallery exhibition in SOHO that coincided with the book's opening and The Happy Film, a documentary that Stefan is launching next autumn.
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Typology 2 follows up on the preceding and successful Typology, published in 2012. Emanuel Christ and Christoph Gantenbein together with their teaching staff and students at ETH Zurich expanded their research on building typology to four more metropolises, again in Europe, Latin America, and Asia: Paris, Delhi, Sao Paulo, and Athens. 180 buildings were analysed over the past two years to find inspiration and models that can be adapted for the local context of any given city. Each example is documented with an image, site and floor plans, axonometric projection, key data, and a brief description. An introduction and four essays on the interaction between various protagonists and in particular the effect of governing local building regulation again show the potential for contemporary urban architecture. The result is again a rich sourcebook of great practical value for students, lecturers and practitioners of architecture. Essays by the authors, and Anupam Bansal and Philippe Simon.
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Light up your life. This title deals with luminary design of the 20th century. Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1,000 lights. Presented chronologically by decade are the 20th century's most interesting electric lights, from Tiffany's beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here - Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Post-Modern, and Contemporary - in 640 pages of truly illuminated works. This definitive reference work is a must-have for collectors and design fans.
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An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
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See beautiful hammered copper vessels made long ago and today at Santa Clara del Cobre, Mexico, a small town in the southwest state of Michoacan. From nothing more than a chunk of copper or sheet metal, artists here have spent centuries creating both useful and decorative copper items, with specially made hand tools and machinery. The richness of the work has undergone a marked improvement in design, materials, and finish during the second half of the twentieth century. Hundreds of copper items from the Museo Nacional de Cobre illustrate the art's evolution. 393 colorful photographs, an historical perspective, list and introductions to 540 copper artists, and detailed descriptions combine in this impressive reference. Be inspired to visit Mexico's Michoacan state and Santa Clara del Cobre, to meet the artists in their workshops.
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As the definition of designer expands and architects today create everything from jewelry to urban masterplans, a new wave of objects ranging from furniture to small-scale architectural inventions is transforming our interior spaces. Boosted by digital design and manufacturing possibilities, a rising global group of independent makers is making this crossover of furniture and architecture one of the hottest and most innovative fields of design. Furnitecture presents some two hundred examples of this new design typology, by renowned architects and designers from around the globe, including Danish studio KiBiSis design for a reconfigurable bookshelf system, Japanese architect Shigeru Bans moving boxes within rooms, Dutch designers Makkink & Beys conversational Ear Chairs and French atelier 37.2s series of self-standing cubes.
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as 'An Organic Architecture' in September 1939 by Lund Humphries. The texts remain an important expression of the architect's core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright's birth. In the lectures, Frank Lloyd Wright covers a wide range of topics including his Usonian houses, his visions for the future of cities both in North America and elsewhere, particularly in Britain, Taliesin and the Johnson Waxworks factory, the then-imminent Second World War, and the 'Future'. In doing so, his charismatic, flamboyant character leaps to life from the pages, not to mention his hugely creative intelligence, making these essays very enjoyable and entertaining.This new edition includes an insightful new essay by esteemed architectural historian, Professor Andrew Saint, which sets the lectures within context and highlights their continued resonance and appeal.