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Sylvia Plath

American poet, novelist and short story writer Sylvia Plath was born on 27 October , 1932 in Boston, Massachusetts ad died on 11 February, 1963 in London. The author of the classic book The Bell Jar, she was married to Ted Hughes from 1956 to 1962.

Sadly Sylvia suffered from mental health problems and committed suicide in 1963. She is highly regarded and her writing is still studied and revered by many today.



Sylvia Plath Books

  • AAGNJ
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    Esther Greenwood is at college and is fighting two battles, one against her own desire for perfection in all things - grades, boyfriend, looks, career - and the other against remorseless mental illness. As her depression deepens she finds herself encased in it, bell-jarred away from the rest of the world. This is the story of her journey back into reality. Highly readable, witty and disturbing, The Bell Jar is Sylvia Plath's only novel and was originally published under a pseudonym in 1963. What it has to say about what women expect of themselves, and what society expects of women, is as sharply relevant today as it has always been.
  • AAGLQ
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  • AFWUX
    • £16.79
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    This title is the complete journals of Sylvia Plath. "Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now...The struggle of self with self makes the Journals compelling and unique". (John Carey, "Sunday Times"). "So what does this new edition of the Journals offer, other than Karen Kukil's exemplary editing? Most importantly, it gives us Plath unmediated, as no biography or memoir can...The poems tell the story as the poets [Hughes and Plath] wanted, with the composure of great art. But in their raw intimacy, these Journals are no less enthralling". (Blake Morrison, "Indepenent on Sunday").
  • AIBJT
    • £10.49
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    I was supposed to be having the time of my life. When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

    The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath's own life and has become a modern classic. The Bell Jar has been celebrated for its darkly funny and a razor sharp portrait of 1950s society and has sold millions of copies worldwide.

    This book has been hand-picked for the Book People's FaberShop, in partnership with Faber & Faber.
  • AFWUY
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    This selection of Sylvia Plath's poetry - chosen by Ted Hughes - shows Plath to be a major poet of the 20th century.
  • AJDYB
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    Sylvia Plath was one of the defining voices of twentieth-century poetry, and one of the most appealing: few other poets have introduced as many new readers to poetry. Though she published just one collection in her lifetime, The Colossus, and a novel, "The Bell Jar", it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, "Crossing the Water" and "Winter Trees" in 1971, which helped to make Sylvia Plath a household name. Hughes' careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work. This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.
  • AMXPS
    Sylvia Plath
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    Ariel, first published in 1965, contains many of Sylvia Plath's best-known poems, written in an extraordinary burst of creativity just before her death in 1963. Including poems such as 'Lady Lazarus', 'Edge', 'Daddy' and 'Paralytic', it was the first of four collections to be published by Faber & Faber. Ariel is the volume on which Sylvia Plath's reputation as one of the most original, daring and gifted poets of the twentieth century rests. "Since she died my mother has been dissected, analysed, reinterpreted, reinvented, fictionalized, and in some cases completely fabricated. It comes down to this: her own words describe her best, her ever-changing moods defining the way she viewed her world and the manner in which she pinned down her subjects with a merciless eye." (from Frieda Hughes' introduction to Ariel).
  • AFWUZ
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    The poems in Sylvia Plath's "Ariel", including many of her best-known such as "Lady Lazarus", "Daddy" and "Fever 103 degrees", were all written between the publication in 1960 of Plath's first book, "The Colossus", and her death in 1963.
  • AFWUP
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    The aim of the present complete edition, which contains a numbered sequence of the 224 poems written after 1956 together with a further 50 poems chosen from her pre-1956 work, is to bring Sylvia Plath's poetry together in one volume, including the various uncollected and unpublished pieces, and to set everything in as true a chronological order as is possible, so that the whole progress and achievement of this unusual poet will become accessible to readers.
  • AFWUU
    Sylvia Plath
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    Upon the publication of her posthumous volume of poetry, "Ariel", in the mid-1960s, Sylvia Plath became a household name. Readers may be surprised to learn that the draft of "Ariel" left behind by Sylvia Plath when she died in 1963 is different from the volume of poetry eventually published to worldwide acclaim. This facsimile edition restores, for the first time, the selection and arrangement of the poems as Sylvia Plath left them at the point of her death. In addition to the facsimile pages of Sylvia Plath's manuscript, this edition also includes in facsimile the complete working drafts of the title poem "Ariel" in order to offer a sense of Plath's creative process, as well as notes the author made for the BBC about some of the manuscript's poems.
  • AFSJE
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    I was supposed to be having the time of my life. When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously. "The Bell Jar", Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath's own life and has become a modern classic. "The Bell Jar" has been celebrated for its darkly funny and a razor sharp portrait of 1950s society and has sold millions of copies worldwide.
  • AFWUT
    • £9.79
    • RRP £10.99
    • Save £1.20Save 9.999999999999999857891452847979962825775146484375%
    Originally published in 1960, "The Colossus" was the only volume of Sylvia Plath's poetry published during her lifetime. Showing a scholarly dedication to the craft, the poems in this collection are brimming with originality and the startling imagery that would later confirm her status as one of the most important poets of the twentieth century. 'She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously ...There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss.' A. Alvarez, "The Observer".
  • BKHJC
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    The Letters of Sylvia Plath Volume I: 1940-1956Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry. Her vivid, daring and complex poetry continues to captivate new generations of readers and writers. In the Letters, we discover the art of Plath's correspondence. Most has never before been published and is here presented unabridged, without revision, so that she speaks directly in her own words. Refreshingly candid and offering intimate details of her personal life, Plath is playful, too, entertaining a wide range of addressees, including family, friends and professional contacts, with inimitable wit and verve. The letters document Plath's extraordinary literary development: the genesis of many poems, short and long fiction, and journalism. Her endeavour to publish in a variety of genres had mixed receptions, but she was never dissuaded. Through acceptance of her work, and rejection, Plath strove to stay true to her creative vision. Well-read and curious, she offers a fascinating commentary on contemporary culture.Leading Plath scholar Peter K. Steinberg and Karen V. Kukil, editor of The Journals of Sylvia Plath 1950-1962, provide comprehensive footnotes and an extensive index informed by their meticulous research. Alongside a selection of photographs and Plath's own line-drawings, they masterfully contextualise what the pages disclose.This selection of early correspondence marks the key moments of Plath's adolescence, including childhood hobbies and high school boyfriends; her successful but turbulent undergraduate years at Smith College; the move to England and Cambridge University; and her meeting and marrying Ted Hughes, including unseen letters post-honeymoon, revealing their extraordinary creative partnership.